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The film follows William and Arthur, two young teenagers with a gift for playing basketball. The film documents their efforts to pursue careers from their homes in Chicago. Income, educational ability and upbringing are all shown to affect the chances of the boys as they train and then pursue college scholarships in the hopes of finally playing in the NBA. The film also documents the lives and reactions to the boys of their families. The basketball becomes secondary to the film's consideration of social and economic issues.
Hoop Dreams took seven years to make and was first screened in 1994 at the Sundance Film Festival. It was shot on Betacam video, not film, and is part of a strong tradition of socially engaged documentary work based in Chicago. As a documentary, there are no actors as such, just the subjects. The project was initially presented to Chicago-based film company Kartemquin as a short film about Chicago's playground courts. Eventually, filming on the project expanded with the discovery of William Gates and Arthur Agee, and the filmmakers accumulated 250 hours of video footage. It took two years to edit this down to make the film. The film went on to critical accolades and awards.
Hoop Dreams, although a documentary, is like a novel, structured around compelling individuals. The film begins by introducing us to the main characters, their goals are established and we see their environments. We see the two main characters in the privacy of their homes as well as at schools and games, which creates a real intimacy and sympathy with them.
The film is about ambitions, and pursuing those ambitions. Basketball is one of America's most high profile and profitable sports, and becoming a successful basketball player is an ambition of many young Americans. The big basketball matches at the end are the climax of the story and carry a dramatic weight that makes them exciting to watch. The contrast between the boys' neighbourhoods and the suburban world of St Joseph's where they train and develop allow us to reflect on some of the issues William Gates and Arthur Agee have to deal with in achieving their ambitions.
He Got Game (US, 1998) – one of Spike Lee's best films, about the relationship between a father and son, filtered through their passion for basketball. The father is released from prison for one week to convince his son to sign up with the state governor's favourite college on a basketball scholarship.
Also see When We Were Kings and Muhammed Ali.
Geography: a city in the USA
PE: the role of sport in achieving success
Pause the video on the long shot of Arthur's father buying drugs outside the basketball court.
Watch the sequence when William is at the Nike camp, with the sound turned down.
Now watch the sequence with the sound up.
Watch any of the tracking shots of Arthur walking in his neighbourhood. Discuss:
Watch any of the college basketball sequences with the sound down. Then watch the scene again with the sound up and ask students how the voiceover and sound effects/music added meaning to the sequence. Ask students to imagine that they are television sports commentators and record their 'live' commentary to accompany the images of the game.
The following questions can be used as a starting point to focus discussion before generalising the issues that the film raises.
Using Hoop Dreams as a model, ask students in groups, to create a dramatic video narrative, which explores how sport can be used to promote social change or equal opportunity. They will need to think about how they will set the scene, introduce their main 'characters', build in some suspense and surprises before reaching a climax, using camera work and voiceover.