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The film describes the preparations for a huge sporting event in Zaire where Mohammed Ali and George Forman met each another in the boxing ring. A massive media machine surrounded the event and even the nation's dictator, Mobutu, became involved in the event. We are shown Ali and Forman training for the fight and the organisation involved in staging the concert prior to the fight which is then delayed by six weeks. One of the key elements of the film is giving some sense of the following that Ali experienced amongst Africans. The film inter-cuts this footage with interviews that look back to the event and assess its significance in terms of sport, politics and race.
It took 23 years for the director to bring When We Were Kings to the screen. Upon its release it won the Oscar for Best Feature Documentary and was also awarded many other honours. Norman Mailer wrote a book about the match, entitled The Big Fight.
The opening twelve-minute sequence of the film combines a huge range of information and effect. It synthesises the political, historical and media-related elements of the film and as the film progresses, through Ali's charismatic personality these political, cultural and historical themes of the film are developed. Music from the concert overlays images of Belgian Congo news footage showing Colonel Mobutu and archive footage of the American South, making connections between racism and tyranny. This sequence draws together music, archive footage and commentary, inter-cutting these elements to suggest the conflict and contradiction surrounding an American cultural event taking place in an African country ruled by a dictator. Spike Lee's opening comment about how Hollywood and TV have taught people to hate the black man reflects that a major theme of this film is about racial prejudice.
The film is a documentary about a major sporting event from almost thirty years ago, but it adopts a dramatic narrative for the fight. Norman Mailer's recollection of the fight is used as voice over. The sense of drama with Ali as the hero is intensified by the use of music rising up as Ali fights back.
Ali (US, 2001, Michael Mann), starring Will Smith as Ali, is a dramatisation of elements of the great boxer's life, including his fight against prejudice and his anti-war stance.
Fighters (UK 1991, Ron Peck), available from bfi Video
Geography: contrasting environments: USA and Africa
History: the struggle for Civil Rights by Black people in the USA
Watch the scene where Ali is training at the roadside, and pause the film when he punches the camera.
Watch the rock concert sequence which cross-cuts between James Brown dancing on stage and the African children stomping their feet as they dance outside.
Watch the opening and closing sequences.
The following questions can be used as a starting point to focus discussion before generalising the issues that the film raises.
The film started off as a documentary about the rock concert but ended up a film about Muhammed Ali.
As a 20th century art form, film has often been used by public figures and politicians to'spread the word'. The Suffragettes were one of the first political movements to use film as a campaigning tool. Muhammed Ali uses his position as an international sports figure to get across a political message in this documentary. What is this message and how does he manage to get it across?
Students could video the speeches and edit them, intercutting them with images that illustrate the main points.