Text size: A A A
About the BFI
Press releases and media enquiries
Policy and strategy
Selling to the BFI
Help and FAQ
Support & join
Sign up for emails
Become a BFI Member
Become a BFI Champion
Become a BFI Patron
Make a donation
Watch films on BFI Player
BFI Southbank tickets
BFI IMAX tickets
In this section
BFI London Film Festival
BFI Flare: London LGBT Film Festival
BFI film releases
Around the UK
Watch High-Rise on BFI Player
I want to…
Watch films online
Browse BFI Southbank seasons
Book a film for my cinema
Find out about international touring programmes
Explore film & TV
Films, TV & people
Latest from the BFI
Sight & Sound magazine
Best films of all time
BFI National Archive
BFI Blu-rays and DVDs
Browse 120 years of Britain on Film.
Find out more about the BFI National Archive
Subscribe to Sight & Sound magazine
Browse BFI Blu-rays and DVDs
Get film recommendations
Supporting UK film
BFI Film Fund
Production and development funding
Distribution and exhibition funding
Skills and business development funding
British certification and tax relief
Search for Lottery awards
Browse the fifth issue of BFI Filmmakers magazine
See projects backed by the BFI
Get help as a new filmmaker
Read industry research and statistics
Find out about booking film programmes internationally
Education & research
BFI Reuben Library
Teaching film, TV and media studies
BFI Film Academy
5-19 Film Education Scheme 2013-2017
Film industry statistics and reports
BFI Media Conference 2016 - BFI Southbank
Search the BFI National Archive collections
Browse our education events
Use film and TV in my classroom
Read research data and market intelligence
After two weeks of workshops and expert tuition at the BFI Film Academy, 66 graduates aged 16-19 show their completed films at BFI IMAX. Nik Powell (Chief Executive, NFTS), Dr Jonathan Wardle (Director of Curriculum and Registrar, NFTS) and Amanda Nevill (Chief Executive, BFI) talk about the importance of providing opportunities for young people to build a career in the film industry.
BFI Film Academy free on BFI Player
Dr. Jonathan Wardle
Today, after two weeks at the NFTS, we are showcasing the films from the BFI Film Academy Craft Residential. This year we got over 350 applications for the 66 places, and then, through a sifting process, we select them to come to the NFTS, and they spend a pre-weekend writing, another pre-weekend on production, and then they come for twelve days over Easter, and we end up here at the BFI IMAX.
At the BFI we know that the future of our industry rests on our ability to spot talent, wherever they might be, in the UK. And when we do find that talent, and you're all sitting here today, we will do everything that we can, to support you in your careers ahead.
I want all your families to know, sometimes I think it's not obvious to people, just how hard it is to make a movie, and just how hard it is to make a really cool movie. It is really hard.
I think this morning we're going to get to see, first hand, the very amazing work that you've achieved during your residential stay at the National Film and Television School.
[clip of Dust]
[clip of Wondrous World of Work]
[clip of Bus Stop]
[clip of White Rose]
[clip of French Cricket]
[clip of Canned]
So, now we're going to graduate the 2014 class of the BFI Film Academy Craft Residential.
I've watched a lot of film, a lot of TV, when I was younger, and so I thought one day, why not have a go at making it? I think.
I obviously already had a passion before I came here, but it has completely reinforced it. When you're living 24/7 for two weeks with 66 young people who are all passionate about film, it creates a buzz inside you that I don't think is going to leave. It's like a fever.
It was quite frustrating for me trying to make things, but I had no one to make them with. Now I've got so many people that I can just contact and be like, "Hey, do you want to make a film?"
I think the thing we are constantly amazed by, really, is how hard the young people work. Every year, well, the last two years, we have had to go round at 1 in the morning and say, "Guys, you've got to stop having production meetings and go to bed." I think it's always surprising, the commitment that they bring to it.
There's four of us from Northern Island, so we're hoping to all collaborate and get some films together and see what experience we can get outside of that as well.
It's been an incredible opportunity and I'm so glad that everybody has utilised it as well as they have done.
It's the best experience you can actually get from anything. I think, especially if you want to do film in the future.
I think this is one of the first times you see the BFI and the NFTS working hand-in-hand to deliver something. BAFTA and Hindberg and Creative Skill Set and all the funding bodies. And so that, in itself, all those people coming together, makes it quite a special experience for the young people. They feel like, actually the film industry is not a closed shop, it's open to them. We can give them a kind of adrenaline shot as they move forward in their careers.
The Crying Game
The Company of Wolves
More about Nik Powell
Born: 21 March 1957, Yorkshire
Cameraman The Life & Work of Jack Cardiff
Testament of Youth Introduction and Featurette
The First Film
The 58th BFI London Film Festival Programme Launch
More about Amanda Nevill
Back to the top
Explore film & TV
Films, TV and people
News and features archive
Supporting UK film
BFI Film Fund for filmmakers
Funding for distributing and screening films
Lottery funding awards
Funding for organisations
Education & research
Support the BFI
More from the BFI
Viewing theatre hire
Archive content sales and licensing
Book a film for your cinema
Connect with us
BFI Southbank purchases
Online community guidelines
Cookies and privacy
©2016 British Film Institute. All rights reserved. Registered charity 287780.