Still Walking; Nobody Knows
Japan
Voted in the directors’ poll
Voted for
1983 |
Robert Bresson |
|
1986 |
Hsiao-hsien Hou |
|
1955 |
Naruse Mikio |
|
1931 |
James Whale |
|
1969 |
Ken Loach |
|
1975 |
Theodoros Angelopoulos |
|
1957 |
Federico Fellini |
|
2007 |
Lee Chang-dong |
|
1964 |
Jacques Demy |
|
1974 |
John Cassavetes |
Comments
Every time I watch Floating Clouds, it’s never the same. My impressions of the last scene are totally different between my twenties and my forties. The dialogue at the petrol station in the last scene of The Umbrellas of Cherbourg is awesome. The smile of Cabiria in the last scene of the Fellini is shocking. Landscape in the Mist might be the smallest piece among Angelopoulos’s works, but I love it all the more for its smallness.
It’s needless to mention the brilliance of Gena Rowlands in A Woman Under the Influence. But I think the actor/actress at the receiving end makes the difference between success and failure in this kind of film. In this case, Peter Falk is just wonderful.
Dust in the Wind determined me to pursue the road to cinema. It pushed me from behind. L’Argent is like a textbook, which I review before shooting each new film of mine.