Hollis Frampton, a key figure of the American avant-garde, was an artist and theoretician whose practice closely resonates with contemporary discourse. The series of seven films known as Hapax Legomena is, alongside Zorns Lemma, one of his most distinguished achievements, and will be presented in its entirety on new preservation prints. Predating Magellan, the ambitious 'metahistory' of film left unfinished by his early death in 1984, Hapax Legomena traces Frampton's own creative progression from photographer to filmmaker. It dissects sound/image relationships, incorporates early explorations of video and television, and looks forward to digital media and electronic processes. Though notoriously rigorous, Frampton's films are infused with poetic tendencies and erudite wit, sustaining a dialogue with the materials of their making, and the viewer's active participation in their reception.
'Hapax legomena are, literally, 'things said once'... The title brackets a cycle of seven films, which make up a single work composed of detachable parts ... The work is an oblique autobiography, seen in stereoscopic focus with the phylogeny of film art as I have had to recapitulate it during my own fitful development as a filmmaker.' (Hollis Frampton)
Mark Webber; all quotes by Hollis Frampton.
30 Oct 2009
In Pictures | Day 16 of the Festival
We wave goodbye to the Festival at the Gala screening of Sam Taylor-Wood's Nowhere Boy.
29 Oct 2009
We announce the winner of the Best Film award, plus we welcome our new BFI Fellows.
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