Hollis Frampton: Hapax Legomena

 

Frampton's 7-part series explores the relationship between filmmaker and viewer, and the possibilities of the medium itself. New prints from recent preservation.

Hollis Frampton, a key figure of the American avant-garde, was an artist and theoretician whose practice closely resonates with contemporary discourse. The series of seven films known as Hapax Legomena is, alongside Zorns Lemma, one of his most distinguished achievements, and will be presented in its entirety on new preservation prints. Predating Magellan, the ambitious 'metahistory' of film left unfinished by his early death in 1984, Hapax Legomena traces Frampton's own creative progression from photographer to filmmaker. It dissects sound/image relationships, incorporates early explorations of video and television, and looks forward to digital media and electronic processes. Though notoriously rigorous, Frampton's films are infused with poetic tendencies and erudite wit, sustaining a dialogue with the materials of their making, and the viewer's active participation in their reception.

'Hapax legomena are, literally, 'things said once'... The title brackets a cycle of seven films, which make up a single work composed of detachable parts ... The work is an oblique autobiography, seen in stereoscopic focus with the phylogeny of film art as I have had to recapitulate it during my own fitful development as a filmmaker.' (Hollis Frampton)

Mark Webber; all quotes by Hollis Frampton.

(nostalgia)

As a sequence of photographs is presented and slowly burned, a narrator recounts displaced anecdotes related to their production, shifting the relationship between words and images.
Director
Hollis Frampton
Country
USA
Running time
36min
Year
1971

Poetic Justice

A 'film for the mind' in which the script is displayed page by page for the viewer to read and imagine.
Director
Hollis Frampton
Country
USA
Running time
31min
Year
1972

Critical Mass

Frampton's radical editing technique disrupts and amplifies the already impassioned argument of a quarrelling couple.
Director
Hollis Frampton
Country
USA
Running time
26min
Year
1971

Travelling Matte

'The pivot upon which the whole of Hapax Legomena turns' uses early video technology to interrogate the image.
Director
Hollis Frampton
Country
USA
Running time
34min
Year
1971

Ordinary Matter

This 'headlong dive' from the Brooklyn Bridge to Stonehenge is a burst of exhilarated consciousness.
Director
Hollis Frampton
Country
USA
Running time
36min
Year
1972

Remote Control

'A 'baroque' summary of film's historic internal conflicts, chiefly those between narrative and metric/plastic montage; and between illusionist and graphic space.'
Director
Hollis Frampton
Country
USA
Running time
29min
Year
1972

Special Effects

Stripping away content leaves only the frame. 'People this given space, if you will, with images of your own devising.'
Director
Hollis Frampton
Country
USA
Running time
11min
Year
1972
Hapax Legomena has been preserved through a major cooperative effort funded by the National Film Preservation Foundation, and undertaken by Anthology Film Archives, MoMA, the New York University Moving Image Archiving and Preservation Program, and project conservator Bill Brand.

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