Over forty years since the release of their first album, The Doors remain one of the most influential rock bands in history, and Jim Morrison one of popular music's sexiest-ever frontmen. Indie-favourite Tom DiCillo is a fan and his move into documentary making clearly something of a labour of love. Chronicling the band's rapid rise, comparatively short reign and the self-destruction and early death of their lead singer, it focuses firmly on Morrison, with the help of a rich collection of previously unseen material, much of it shot by Paul Ferrara, a friend of Morrison's from their time together at UCLA's film school. Boasting even greater rarity value is the inclusion of footage from HWY: An American Pastoral, Morrison's 'lost' experimental film, which he acted in and directed. DiCillo provides some context by linking the band with the countercultural zeitgeist of the late 60s, but this is very much the backdrop rather than the main event. Live footage and studio sessions cover pretty well all the greatest hits and plenty more, and since the film debuted at Sundance, Johnny Depp has been recruited to add a new voiceover.
Sandra Hebron
30 Oct 2009
In Pictures | Day 16 of the Festival
We wave goodbye to the Festival at the Gala screening of Sam Taylor-Wood's Nowhere Boy.
29 Oct 2009
We announce the winner of the Best Film award, plus we welcome our new BFI Fellows.
Join the London Film Festival Facebook group