Interview with Cristian Mungiu

20 Oct 2009

We catch up with the director of 4 Months, 3 Weeks and 2 Days.

Cristian Mungiu returns to the Festival with Tales from the Golden Age, a comic creation from a collective of Romanian directors which takes a darkly ironic look at Romania under the Ceaucescu regime and the idiocies of daily life in a dictatorship.

What was the idea behind the making of this film?

I was travelling a lot in festivals with my first film and I was seeing lots of people my age (most of them had emigrated in the early nineties) and I believe we got to that age when you like remembering things and talking about high school...I got this feeling that I needed to make some films about my twenties. My twenties were in the 80s in Romania.

And your last feature, 4 Months, 3 Weeks and 2 Days was also set in this period...

I discovered that I can't really squeeze everything into just one film. So I decided to make a trilogy of films set in the '80s in Romania, which started with 4 Months, 3 Weeks and 2 Days, and continues with two other films. Because the film was episodic and because my idea was to get the most well known urban myths of the 80s in Romania on screen, I decided to make this a collective project and bring some other people on board.

How would you describe the film?

It's mostly a film for the audience. I was doing a lot with my previous film, talking a lot with people and they were saying, "It's pretty complicated this film of yours, it's very artistic...", but eventually for people who understand cinema as entertainment, you wouldn't get out after eight hours of working to watch such a film because it's difficult. I promised I would produce something which is going to be a comedy, and it's my point of showing that we can do something that's mainstream for us and still tells you something about the period. Of course, all films coming from the East are going to be different species because they're subtitled, but for us it's rather a film for the live audience.

Can you talk a little about Romania during this period?

First of all, it's a good place because it's where I was born and where I spent my early years. I believe that every director should speak about what he knows and speak about things that have an impression on him, because if I feel moved about something that happened to me, chances are that you are going to be moved if you watch the film. But apart from this, of course, was a very complicated political situation, especially in the '80s because we had Ceausescu in power. So the '70s in Romania were quite fine except there was a lot of censorship, but we were children and we didn't care about censorship. But later on, the economic situation worsened. After 1982, there was a shortage of everything; a shortage of power, of gas and, finally, of food.

Finally, it all ended in 1989 when he [Ceausescu] was overthrown after the fall of the Berlin wall. He was the only ruler in Eastern Europe to be shot, so it was a violent ending, and the end of the Communist regime in Romania. But it's true to say that fifty years of communism really marked people and survived in peoples' minds.

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