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Director Michael Dibb discusses working with writer and broadcaster John Berger on Ways of Seeing, the groundbreaking 1972 BBC art programme.

Film theorist Richard Dyer introduces the work of Vincente Minnelli, with an emphasis on the director's style and passion for design.

Director Richard Lester receives a BFI Fellowship award following a screening of his Robin Hood drama, Robin and Marian (1976).

Producer and director Mamoun Hassan introduces a screening of Throne of Blood, Akira Kurosawa's savage interpretation of Macbeth.

Humaima Malick takes part in a Q&A following a screening of Bol, a controversial film about the lot of women and intersex people, which has already become the highest grossing film ever in Pakistan.

Experimental filmmaker Robert Beavers introduces a rare screening of his work at BFI Southbank.

Andrew Stanton discusses John Carter, his sweeping action epic based on Edgar Rice Burroughs's adventure stories (video courtesy of Lovefilm).

Michael Barratt, helmsman of the pioneering current affairs show Nationwide (1969-84), shares his career highlights, including the Profumo scandal and Thatcher's first PM election.

Cast and crew of White Heat take to the BFI Southbank stage to discuss the series.

Director Adam Smith discusses his film Don't Think, a recording of The Chemical Brothers' headline set at the 2011 Fuji Rock Festival in Japan.

Writer and film curator Antony Todd introduces a David Lynch season at BFI Southbank with a lecture focussing on the director's early career.

Artist and filmmaker Malcolm Le Grice introduces Michael Snow's Wavelength (1967).

Presenter and novelist Francine Stock introduces a screening of Go To Blazes (1962).

British scriptwriters Ray Galton and Alan Simpson discuss their 'lost' script, The Day Off, and its rediscovery, and talk about working with the late comedian Tony Hancock.

The BFI bestows its highest honour, the Fellowship, on Bryan Forbes.