An introduction to one of the most significant and enigmatic directors in world cinema.
Director Eran Creevy discusses channelling John Woo and Michael Mann for his stylish second feature, Welcome to the Punch.
Take a look at some of the pioneers and pop icons who can be seen on screen throughout the Festival.
Two films at this year’s LLGFF reveal troubling cinematic depictions of homosexuality from yesteryear.
Nobody had ever seen a film like Theorem when it arrived on European screens in 1968, and its huge success took Pasolini’s cultural standing to a new level.
Curator William Fowler reflects on the changing relationship between film festivals and artist film and video.
