News
BFI Southbank Studio to be renamed NFT4
We’ve reviewed our signage, wayfinding and cinema names at BFI Southbank and, from June onwards, the Studio will be known as NFT4.
BFI Southbank Studio to be renamed NFT4
Features and reviews
Discover the latest from the BFI, the UK’s lead organisation for film, television and the moving image.
Reviews
Challengers: Luca Guadagnino summons the potent yearning of his finest work with a hot and heavy tennis drama
By Beatrice Loayza
From the Sight and Sound archive
“I have never felt accepted as a director”: Lindsay Anderson interviewed in 1989
By Gerald Pratley
10 great
10 great films about stunt people
By Gayle Sequeira
From the Sight and Sound archive
The roots of neorealism
By Pasquale Iannone
From the Sight and Sound archive
Support your local police movie
By Philip French
Reviews
That They May Face the Rising Sun: a quietly captivating experience
By Philip Concannon
From the Sight and Sound archive
“Few films, in my own experience, have bristled with so many problems”: Michael Balcon on Scott of the Antarctic
By Michael Balcon
Features
The unhappy happy ending of Douglas Sirk’s There’s Always Tomorrow
By Guy Lodge
News
Programme highlights announced for June and July 2024 at BFI Southbank and BFI IMAX
Programme highlights announced for June and July 2024 at BFI Southbank and BFI IMAXFeatures
Bushman rediscovered: how real life intruded into a 1970s US indie film
By Tomisin Adepeju
Reviews
There’s Still Tomorrow: a dark melodrama fuelled by humour, rage and neorealism
By Kate Stables
Reviews
Fantastic Machine: a frustrating whistlestop tour of humankind’s relationship with the camera
By Jordan Cronk
Where to begin
Where to begin with Roberto Rossellini
By Alex Barrett
5 things to watch
5 things to watch this weekend – 19 to 21 April
By Sam Wigley
Reviews
Last Summer: Catherine Breillat’s most heartbreaking film to date
By Ela Bittencourt
Lists
Children’s Film Foundation: 10 fabulous films from the home of kid-based hijinks
By Vic Pratt
Reviews
Sometimes I Think About Dying: downbeat workplace indie shows another side to Daisy Ridley
By David Katz
News
BFI invests £900,000 National Lottery funding over two years to create a BFI Skills Cluster for Wales
BFI invests £900,000 National Lottery funding over two years to create a BFI Skills Cluster for Wales10 great
10 great Catholic films
By Georgina Guthrie
From the Sight and Sound archive
Elaine May: laughing matters
By Carrie Rickey
Features
O dreamlands: why Lindsay Anderson was never the realist he claimed to be
By Henry K Miller
From the Sight and Sound archive
“Ford is a director with whom things are either right or wrong”: Lindsay Anderson’s review of The Searchers
By Lindsay Anderson
Reviews
All You Need is Death: hallucinatory horror captures the alchemical power of Irish folk ballads
By Roger Luckhurst
Reviews
The Book of Clarence: a messy, genre-blending Biblical epic
By Arjun Sajip
Features
Bye Bye Love, 50th anniversary: this gender-fluid couple-on-the-run movie had no precedent in Japanese cinema
By Tony Rayns
Reviews
If Only I Could Hibernate: a beautifully crafted Mongolian drama
By Tom Charity
Talkies
TV Eye: The next Game of Thrones
By Andrew Male
Where to begin
Where to begin with Alex Garland
By George Bass