In a brief window between 1930 and 1934, Hollywood studios were able to portray America with previously unseen realism. Mike Mashon explores the campaign for moral oversight, while James Bell examines filmmakers’ depiction of taboo subjects from adultery and poverty to crime.
Mike Mashon , James Bell
Wednesday 30 April 2014
This year’s convention of ‘archivists, artists and scholars’ dusted off curios including a Polish typewriter camera, a bonfire of valve radios, Josephine Baker in clogs and the eye-popping Gasparcolor system. Ian Francis reports.
Saturday 26 April 2014
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