Mauled by the studio, obsessed over by fans, deconstructed by academics, remade with Nicolas Cage – yet the pagan British weirdness of The Wicker Man remains fresh. Unveiling The Final Cut in 2013, its director recalls the making of a myth to Vic Pratt.
Monday 4 July 2016
Early bird tickets are now on sale for the third edition of the conference which looks at audience behaviours, emerging trends, and the future of cinema.
Friday 1 July 2016
How can we define films noir? Are they really all about fatalism, and gynophobia – or could the richest of them actually hint at what it means to lose the rat race, asks Brad Stevens?
Thursday 30 June 2016
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