Sight & Sound articles

Bradlands

11 - 20 of 26

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  • A dog’s theory

    Is it daft to look at a YouTube dog video through the lens of auteurism? Perhaps not as daft as denying ourselves ways of enjoying unusual material, says Brad Stevens.

    Brad Stevens
    Friday 20 December 2013

    Bradlands

  • A critical confusion

    Reports of the death of cultural criticism have been greatly muddle-headed, says Brad Stevens.

    Brad Stevens
    Wednesday 6 November 2013

    Bradlands

  • Mutant mutations

    The late ‘exploitation’ master Jess Franco was a paragon of the art of muddying clear blue waters, writes Brad Stevens.

    Brad Stevens
    Tuesday 1 October 2013

    Bradlands

  • TV’s a crowd

    Do television’s collective values hobble its artistic potential, asks Brad Stevens?

    Brad Stevens
    Tuesday 10 September 2013

    Bradlands

  • Flaming the fans

    On the internet, amateur subtitlers are taking commercially neglected cinema into their own hands, says Brad Stevens.

    Brad Stevens
    Wednesday 31 July 2013

    Bradlands

  • Reputational roundelays

    Should artists’ second thoughts always be the final word, wonders Brad Stevens?

    Brad Stevens
    Monday 8 July 2013

    Bradlands

  • From the Magazine

    Libido, morality and a broom

    Usually seen as an oddity, if seen at all, Nicholas Ray’s late erotic short The Janitor distils his interest in the tussle between id and superego, writes Brad Stevens.

    Brad Stevens
    Friday 3 May 2013

    Bradlands

  • From the Magazine

    Rambo agonistes

    As well as macho wish-fulfilment, US cinema of the 1980s offered plenty of films that questioned ideas of heroism and masculinity, says Brad Stevens.

    Brad Stevens
    Friday 5 April 2013

    Bradlands

  • From the Magazine

    Credit where credit’s due

    From Jean Renoir to Monte Hellman, plenty of directors have seen their own distinctive work appear in films credited to others, says Brad Stevens.

    Brad Stevens
    Friday 8 March 2013

    Bradlands

  • From the Magazine

    Reflections on style

    Classical Hollywood mise en scène, once so commonplace in popular cinema, is all too rare in the work of today’s supposed masters, argues Brad Stevens.

    Brad Stevens
    Friday 8 February 2013

    Bradlands

11 - 20 of 26

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