Versatile opera and ballet composer whose work on film scores was infrequent but infuential.
Towering and tireless master of Russian animation – for adults and children.
Blue-movie maestro and latest of a long line of disparaged women’s-movie masters.
A key experimental filmmaker whose improvised, experimental style had a lasting impact on critical theory and definitions of voyeurism in cinema.
from our August 2012 issue
Michael Atkinson pays tribute to the master of the historical fresco and the sequence shot.
