With old structures failing a new generation of filmmakers, what are the hopes for arthouse cinema from the east, asks Verena von Stackelberg?
How Japan’s oldest film studio became home to the country’s hippest post-war talents.
Kogonada pits the director of The Bicycle Thieves against the producer of Gone with the Wind on the same movie material.
Joseph Bevan on how a North Shields art student set the world agog.
For all its revolutionary impact, Italian neorealism did not represent a complete break with the past. Pasquale Iannone is your guide to 12 key milestones in the development of a new cinematic language.
Thirza Wakefield records how the counter-culture hub movement took root in England’s second city.