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Versatile opera and ballet composer whose work on film scores was infrequent but infuential.
Director, screenwriter, playwright and journalist, noted for her witty and wise romantic comedies.
Wong Kar-wai’s first film in six years is a kung fu melodrama that spans the decades – and focusses on icicles falling, one at a time, says Nick James.
Blue-movie maestro and latest of a long line of disparaged women’s-movie masters.
A key experimental filmmaker whose improvised, experimental style had a lasting impact on critical theory and definitions of voyeurism in cinema.
from our August 2012 issue