The new issue of Sight and Sound
On the cover: Jane Schoenbrun talks genre, desire, remaking reality and building Camp Miasma. Inside: Nicolas Winding Refn and Dario Argento in conversation, at the movies with Salman Rushdie, David Ayer's The Heart of the Beast, the radical filmmaking of Sarah Maldoror, Lance Hammer on his new film Queen at Sea, Gregg Araki on I Want Your Sex, Georgia Oakley talks Sense and Sensibility, BFI London Film Festival preview and 24 years since its release, we revisit Ryan Gilbey's appraisal of 24 Hour Party People
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Subscribe nowSight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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“He is the blockbuster given human form”: J. Hoberman on Arnold Schwarzenegger
Arnold Schwarzenegger cemented his status as the reigning Hollywood superman with Terminator 2: Judgment Day, which returns to cinemas this week. In this essay from our September 1991 issue, J. Hoberman explored the reasons for his super-fame.
By J. Hoberman
Super Nature: Ed Sayers’ Super 8 documentary is a beautiful ode to nature’s restorative power
By Ben Nicholson
Late Fame: Kent Jones’s playful drama pokes gentle fun at New York literary circles old and new
By Jessica Kiang
Castration Movie Chapter iii.ii Junior Ghosts – Premorphic Drift: Louise Weard has created a new trans cinematic language
By Rachel Pronger
I Want Your Sex: Gregg Araki’s wild art-world satire unspools as an enjoyable kinky-sex detective yarn
By B. Ruby Rich
Nowhere to Lay My Eyes: Hong Sang-soo’s meditative family drama is familiar in all the right ways
By Josh Slater-Williams
Sight and Sound: the October 2026 issue
Sight and Sound: the October 2026 issueThe Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
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Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
“He is the blockbuster given human form”: J. Hoberman on Arnold Schwarzenegger
Arnold Schwarzenegger cemented his status as the reigning Hollywood superman with Terminator 2: Judgment Day, which returns to cinemas this week. In this essay from our September 1991 issue, J. Hoberman explored the reasons for his super-fame.
By J. Hoberman
“We wanted the film to have a vibrancy, to be larger than life”: Danny Boyle on Trainspotting
By Geoffrey Macnab
Of monsters and men: Peter Wollen on Jurassic Park
By Peter Wollen
Darkest hour: the first ever film of a solar eclipse
By Bryony Dixon
“It earns every hair it stiffens”: Alejandro Amenábar’s The Others
By Nick James
“He was a giant for work”: Michal Leszczylowski, editor of The Sacrifice, on Andrei Tarkovsky
By Michal Leszczylowski
Gods and monsters: Spirited Away reviewed in 2003
By Andrew Osmond
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