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The British short filmmaker tells Carmen Gray how he respun his mother’s pre-marital desert escapades into a compelling – and Cannes-winning – allegory of emancipation.
Our editor straps on his goggles, loosens his waistband and prepares to boldly plumb the uncharted regions of the London Film Festival.
In which Josh Radnor returns to his real-life alma mater and acts out a May-December Peter Pan romance with an improv-drama student played by Elizabeth Olsen. Catherine Wheatley tries to look kindly.
Eight international correspondents post-mortem the biggest-ever iteration of our celebrated film polls.
As an East German wannabe emigré thaws, so does this cool thriller-turned-melodrama – and Catherine Wheatley sees new reason for international audiences to engage with the work of its director Christian Petzold.
Leos Carax’s portmanteau of cinema-swansong sketches is nearly as marvellous as it is mercurial, finds Ginette Vincendeau.
