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Geoff Andrew sees the veteran master make his long-awaited return with a modest, subterranean two-hander.
Amy Taubin hopes death succeeds patriarchy as the flavour of this year’s festival.
Nick James checks his notes: the festival’s most tender as well as telling film so far comes from the Austrian disciplinarian.
Jonathan Romney on the late Chilean master’s fond farewell to a life of artistic delinquency.
The Austrian director’s sex-tourism drama could be his richest film yet, says Pamela Jahn.
Geoff Andrew on the Palme d’Or alumnus’s return to the Competition.
