Sight and Sound

The new issue of Sight and Sound

On the cover: Jane Schoenbrun talks genre, desire, remaking reality and building Camp Miasma. Inside: Nicolas Winding Refn and Dario Argento in conversation, at the movies with Salman Rushdie, David Ayer's The Heart of the Beast, the radical filmmaking of Sarah Maldoror, Lance Hammer on his new film Queen at Sea, Gregg Araki on I Want Your Sex, Georgia Oakley talks Sense and Sensibility, BFI London Film Festival preview and 24 years since its release, we revisit Ryan Gilbey's appraisal of 24 Hour Party People

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Sight and Sound presents the auteur series: Chantal Akerman

In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.

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The Greatest Films of All Time

Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.

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The Weekly Film Bulletin

Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.

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From our archives

From the Sight and Sound archive

“We wanted the film to have a vibrancy, to be larger than life”: Danny Boyle on Trainspotting

Thirty years after its release, Trainspotting is returning to cinemas. In our February 1996 issue, Geoffrey Macnab spoke to director Danny Boyle, screenwriter John Hodge and producer Andrew Macdonald about drugs, class and the state of British cinema.

By Geoffrey Macnab

“We wanted the film to have a vibrancy, to be larger than life”: Danny Boyle on Trainspotting
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