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This year’s festival of cinematic nonfiction at the ICA probes the theme of ‘landscape’ – less as a discipline than a metaphor for the ways we build our worldview, says Ben Nicholson.
Friday, April 27, 2018
The landmark 1961 blackmail thriller Victim traces a secretive gay London while also filming in some of the capital’s most exclusive areas. More than 50 years later, how have its locations fared?
Wednesday, July 26, 2017
Under new chief programmer Luke Moody, Britain’s biggest (and broadest) documentary festival reinforces its interest in documentary cinema’s artistic edge. By Ben Nicholson.
Wednesday, July 5, 2017
From the Magazine
Anocha Suwichakornpong’s formally experimental, provocative film frames and re-frames stories related to an infamous Thai student massacre in 1976, with each of its narrative threads occupying its own questionable reality, writes Ben Nicholson.
Friday, June 16, 2017
The latest nonfiction movie forays showcased in the ICA’s second Frames of Representation festival explore modern regimes of labour, physical discipline and social control, says Ben Nicholson.
Thursday, April 27, 2017
Ben Nicholson on Werner Herzog and Cambridge professor Clive Oppenheimer’s wispy but winningly insouciant geological jaunt around the earth’s fiery maws.
Tuesday, September 27, 2016
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