Eddie Muller


USA

Voted for

FilmYearDirector
Napoléon1927Abel Gance
The Passion of Joan of Arc1927Carl Th. Dreyer
La Règle du jeu1939Jean Renoir
Citizen Kane1941Orson Welles
Sunset Blvd.1950Billy Wilder
Seven Samurai1954Akira Kurosawa
Au hasard Balthazar1966Robert Bresson
The Wild Bunch1969Sam Peckinpah
Chinatown1974Roman Polanski
Mulholland Dr.2001David Lynch

Comments

Napoléon

1927 France

I probably shouldn't be including this because so few people have had the chance to see it on the big screen, with an orchestra and with the majestic triptych and colour tinting. But it's the greatest experience I've ever had at the movies, so I MUST include it, and specify that it's Kevin Brownlow's 2000 restoration that I am citing. Gance's direction is extraordinary and displays practically every technique that would be part of the world's cinematic grammar. It is the filmic definition of "greatness".

The Passion of Joan of Arc

1927 France

The power of pure cinema realized. Dreyer's direction, Maté's extraordinary camera work, and the transcendent performance by Falconetti… this is the apotheosis of the art form.

La Règle du jeu

1939 France

To be scathing and humanist and gentle at the same time, and tell your tale effortlessly… that's Renoir's genius. He belongs on any list of the world's great filmmakers, and this is his greatest achievement.

Citizen Kane

1941 USA

Sadly fashionable now to chip away at its greatness. The temptation should be resisted. The audacious American masterpiece of the 20th century, not only for its cinematic innovations and storytelling vigour, but for how accurately it dissects the "American character".

Sunset Blvd.

1950 USA

Hollywood Grand Guignol and a daringly and perfectly realised motion picture. Wilder balances tragedy and mordant black humour on the edge of his rapier wit.

Seven Samurai

1954 Japan

Made in 1954 and STILL the greatest, deepest and most profound action movie of all time.

Au hasard Balthazar

1966 France, Sweden

Many films confront the sadness of existence, but none do it as simply and deeply as this one. Bresson made many masterpieces, but this one can completely change a viewer's entire perspective on life.

The Wild Bunch

1969 USA

The myth of the American West: glorified, vilified, rhapsodised and blown all to hell. The rare movie that actually strives for greatness in every moment – and achieves it.

Chinatown

1974 USA

The detective story is one of the great narrative creations of the 20th century, and no movie better utilised it to offer a scathing critique of avaricious capitalism. Polanski's grasp of the form and the milieu is supremely assured… his telling of the tale absolutely pitch-perfect. Considering the difficulty of the production, this might be the best-directed American film of all time.

Mulholland Dr.

2001 France, USA

David Lynch radically altered narrative filmmaking, making non-linear storytelling acceptable to a mass audience and making buried subtext the actual plot of his films. No one has better realised the dreamy potential of cinema, and this is his masterpiece. Special nod to Naomi Watts for a truly fearless performance.

Further remarks

Thank you for asking me to participate.