Jonathan Rigby
actor-writer
UK
Voted for
| Film | Year | Director |
|---|---|---|
| The Crowd | 1928 | King Vidor |
| MÄDCHEN IN UNIFORM | 1931 | Leontine Sagan |
| Island of Lost Souls | 1932 | Erle C. Kenton |
| Sunset Blvd. | 1950 | Billy Wilder |
| Orphée | 1950 | Jean Cocteau |
| Rear Window | 1954 | Alfred Hitchcock |
| Les Yeux sans visage | 1959 | Georges Franju |
| Onibaba | 1964 | Kaneto Shindo |
| Witchfinder General | 1968 | Michael Reeves |
| Le Locataire | 1976 | Roman Polanski |
Comments
In getting these films together, I put aside any objective notions of ‘greatness’, which are impossible to establish anyway. I just recalled some of the titles that made the most powerful impact on me when first viewing them. I tend to write about horror films; not exclusively, but quite a bit. And I notice that, even when these choices aren’t out-and-out horror, they still lean towards the ghoulish, and the view of life in them is pretty grim. That terrible line from Onibaba springs to mind: “Rest in peace in this hole…” As does another from Orphée: “We had to return them to their swamp.” Well, what can I say? There are lots of life-affirming films out there, full of joy and light and ecstasy – and there are plenty of that kind that I admire. But somehow none of them made it onto this list. Darkness has its delights, too.