Nachman Ingber
retired
Israel
Voted for
| Film | Year | Director |
|---|---|---|
| Tokyo Story | 1953 | Yasujirō Ozu |
| 8½ | 1963 | Federico Fellini |
| The Passion of Joan of Arc | 1927 | Carl Th. Dreyer |
| La notte | 1961 | Michelangelo Antonioni |
| Vivre sa vie | 1962 | Jean-Luc Godard |
| Rashomon | 1950 | Akira Kurosawa |
| Persona | 1966 | Ingmar Bergman |
| Citizen Kane | 1941 | Orson Welles |
| The Last Laugh | 1924 | F.W. Murnau |
| Modern Times | 1936 | Charles Chaplin |
Comments
Tokyo Story
The most beautiful depiction of life on screen, the most human look on life. The meaning of life (and death).
8½
A celebration of life and art. A view of life as art and art as life. All that cinema can be.
The Passion of Joan of Arc
Minimalism as a means to express all that is transcendent and spiritual.
La notte
Portrait of a failed marriage that turns to be the failure of modern civilization.
Vivre sa vie
A take-off on film noir that becomes a philosophical look at the choices of life.
Rashomon
A refreshing look at narrative construction mixed with technical imagination and virtuosity.
Persona
Bergman's version of minimalism, a deep, dark and human passion of the soul.
Citizen Kane
A major tour de force of cinematic virtuosity, a puzzle portrait of human life.
The Last Laugh
A mix of realism and expressionism in a dark portrayal of modern society and the path to fascism.
Modern Times
A portrait of the 20th century with all its characteristics. The master of human comedy at his best.