Yal Sadat
Journalist - Film Critic
France
Voted for
| Film | Year | Director |
|---|---|---|
| Taxi Driver | 1976 | Martin Scorsese |
| The Man Who Shot Liberty Valance | 1962 | John Ford |
| Stalker | 1979 | Andrei Tarkovsky |
| Vertigo | 1958 | Alfred Hitchcock |
| Ossessione | 1943 | Luchino Visconti |
| The Fountainhead | 1949 | King Vidor |
| M | 1931 | Fritz Lang |
| JUSTE AVANT LA NUIT | 1971 | Claude Chabrol |
| Sorcerer | 1977 | William Friedkin |
| Rashomon | 1950 | Akira Kurosawa |
Comments
Taxi Driver
1976 USA
Nice .44 Magnum.
The Man Who Shot Liberty Valance
1962 USA
The most perceptive film about the very essence of the American people and what makes the core of a nation. Plus, nice hats.
Stalker
1979 USSR
The most beautiful blending of physical and holy matter, and of verbal and non-verbal languages.
Vertigo
1958 USA
Best ghost movie ever.
Ossessione
1943 Italy
Most truthful film about relationships between men and women.
The Fountainhead
1949
Nice buildings.
M
1931 Germany
The best illustration of this simple fact: expressionism and illusions are nothing but realism. Plus, nice shadows.
JUSTE AVANT LA NUIT
1971 France, Italy
Best ending of all time.
Sorcerer
1977 USA
Nice trucks.
Rashomon
1950 Japan
Nice points of view.