The new issue of Sight and Sound
On the cover: Jane Schoenbrun talks genre, desire, remaking reality and building Camp Miasma. Inside: Nicolas Winding Refn and Dario Argento in conversation, at the movies with Salman Rushdie, David Ayer's The Heart of the Beast, the radical filmmaking of Sarah Maldoror, Lance Hammer on his new film Queen at Sea, Gregg Araki on I Want Your Sex, Georgia Oakley talks Sense and Sensibility, BFI London Film Festival preview and 24 years since its release, we revisit Ryan Gilbey's appraisal of 24 Hour Party People
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Subscribe nowSight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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Bad Apples: Saoirse Ronan is this black comedy’s secret weapon
Ronan stars as a teacher who kidnaps a troublesome pupil to save her school’s Ofsted inspection and her job in this wicked little drama from Jonatan Etzler.
By Kate Stables
The discreet murderer of the bourgeoisie: an interview with Claude Chabrol
By Rui Nogueira and Nicoletta Zalaffi
Bucking Fastard: Herzog’s tale of two sisters who speak in unison is his best fiction feature in years
By Nicolas Rapold
Oasis: Don’t Look Back in Anger: Fan-service rockumentary is very much the Gallagher brothers’ show
By John Bleasdale
My Undesirable Friends: Part II – Exile: documentary sequel exposing Russian media censorship is every bit as gripping as its first instalment
By Carmen Gray
Possible Love: Lee Chang-Dong’s sober exploration of economic disparity is filled with quiet revelations
By Jonathan Romney
Everybody Digs Bill Evans: a gentle sonata of loss
By Ehsan Khoshbakht

The Greatest Films of All Time
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Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
The discreet murderer of the bourgeoisie: an interview with Claude Chabrol
With BFI Southbank’s Claude Chabrol retrospective Elements of Crime in full swing and La Femme infidèle (1970) re-released in cinemas this week, we revisit an interview with the prolific French filmmaker from our Winter 1970/71 issue.
By Rui Nogueira and Nicoletta Zalaffi
“He is the blockbuster given human form”: J. Hoberman on Arnold Schwarzenegger
By J. Hoberman
“We wanted the film to have a vibrancy, to be larger than life”: Danny Boyle on Trainspotting
By Geoffrey Macnab
Of monsters and men: Peter Wollen on Jurassic Park
By Peter Wollen
Darkest hour: the first ever film of a solar eclipse
By Bryony Dixon
“It earns every hair it stiffens”: Alejandro Amenábar’s The Others
By Nick James
“He was a giant for work”: Michal Leszczylowski, editor of The Sacrifice, on Andrei Tarkovsky
By Michal Leszczylowski
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