BFI | Sight & Sound | The International Film Magazine

Slow bloom

Joseph Strick is the man who adapted Joyce, Miller and Genet. As the UK finally sees a retrospective of his work, Henry K Miller plots his four-decade-long journey to bring Ulysses to the screen

The whirls of time

The Viennale rings in the old, including Timothy Carey’s loopy The World’s Greatest Sinner

He stands alone

Revisiting the forgotten films of the renowned Jean Eustache

Where there’s pomp...

Cristian Mungiu talks Romanian cinema, Tales from the Golden Age and the absurdities of life in Ceausescu’s Romania

Youth on the march

Choosing the winners of the Sight & Sound Young Journalist Competition

‘Underground’, overground

This year’s London Film Festival brought archive films up onto the streets, and the Tube back onto the screen. We caught two of the festival’s archive showcases

LFF reviews, part three

Nowhere Boy, Shed Your Tears and Walk Away, Starsuckers

LFF reviews, part two

American – The Bill Hicks Story, Don’t Worry About Me, Have You Heard from Johannesburg: The Bottom Line, An Organisation of Dreams

Sonic youths

All Tomorrow’s Parties rewrote the script for music festivals. Sam Davies wonders if Jonathan Caouette’s fan-filmed, end-of-a-decade collage can remodel the concert documentary

LFF reviews, part one

44 Inch Chest, Oil City Confidential and Ride the Wave Johnny

Chuffed with this year’s harvest of films made by women, the London Film Festival is hosting a panel debate on why the movies aren’t always so even-handed. Sophie Mayer sizes up the festival’s female perspectives

Last remaining seats

London Film Festival preview: Sight & Sound’s recommendations of films still available for booking in this year’s festival

On a wing and a lark

Shane Meadows talks to Nick Bradshaw about his improvised ‘five-day feature’ Le Donk and Scor-Zay-Zee

Project me

Isabel Stevens on the Jarman Award artists who straddle the worlds of gallery and screen

Curiouser and curiouser

Nick Roddick blew his mind in the early 1970s. He tracks down the culprit, the late Polish director Wojciech Has

Tropical rocket

Tony Rayns sees Apichatpong Weerasethakul’s Primitive installation at the inaugural Abandon Normal Devices Festival of New Media and Digital Culture in Liverpool