Daniel V Villamediana

The Life Sublime; The Blue Bull

Spain

Voted in the directors’ poll

Voted for

Fanny and Alexander

1984

Ingmar Bergman

Gospel According to St Matthew, The

1964

Pier Paolo Pasolini

Inmortal Story, The

1968

Orson Welles

JLG: Self-Portrait in December

Jean-Luc Godard

Man Who Shot Liberty Valance, The

1962

John Ford

Man with a Movie Camera

1929

Dziga Vertov

Route One, USA

Robert Kramer

Simon of the Desert

1965

Luis Buñuel

Stars In My Crown

1949

Jacques Tourneur

Rise to Power of Louis XIV, The

1966

Roberto Rossellini

Comments

Ford, the Founding Father. Everything merges in him.

Pasolini, for the first time, gave life to the Holy Text. Image and faith became the same thing.

Bergman brings together every form of art in one film.

Kramer cries for the America that couldn’t exist.

Vertov found a new one-eyed God.

Welles staged his own legend. Buñuel, the great entomologist.

Tourneur and the sensuality of the cinematographic form.

Godard creates the self portrait in cinema and showed us how to think through images.

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