BFI Film Academy graduates showcase their work to UK film industry

Sixty-six graduates aged 16-19 from all over the UK premiere their six films created for BFI Film Academy course at the National Film and Television School at special industry premiere at BFI Southbank.

13 April 2018

BFI Film Academy graduates 2018 © Tim Whitby

Following the Department for Education (DFE) in England’s £2m investment in the future of the successful BFI Film Academy, 66 talented new graduates today premiered their work at a special Graduation ceremony at BFI Southbank to an audience of UK film industry leaders. At the event, special guest Francis Lee, the award-winning writer/director of 2017’s God’s Own Country, shared his experiences of developing a successful career, which saw him attract box office success and critical acclaim for his debut feature. The Film Academy, now in its sixth year, provides 16-19 year olds with a proven entry point to the film industry by offering both technical and artistic skills.

Hosted by Danny Leigh, BFI Senior Curator Fiction TV & Film, Amanda Nevill, CEO of the BFI and Dr Jon Wardle, Director of the National Film and Television School presented the young filmmakers with their graduation certificates. With the BFI Film Academy becoming a trusted and effective route into the industry, the annual graduation is regarded as an opportunity to spot and meet new up and coming talent. Companies attending this year include BBC Films, Lucasfilm, Number 9 Films, Working Title, Pathe, Warp Films, Origin Pictures and Lionsgate.

Talking to the graduates about developing careers in film, Lee said: “The BFI Film Academy is such a fantastic opportunity – a chance to develop crucial skills to build a career in film. But what I think makes it so special is that it is open all across the UK, so young talent, no matter where they live or what their background, can access this brilliant training.”

In its sixth year and open to young people from anywhere in the UK, the BFI Film Academy offers a chance for talented 16-19 year olds to develop the specialist filmmaking skills they need to be part of the future of the UK film industry. The BFI Film Academy offers bursaries to help those in need with costs, ensuring it is open to as diverse a range of young people as possible. Based right across the UK the Academy has created more than 5,000 places for young people on courses run across the UK since 2012. Of all alumni, 85% have pursued film education or become employed in the sector, with only 5% reporting not continuing any film related activity since completing the Film Academy. 

Paul Trijbits, producer of Saving Mr Banks, and Simon Beaufoy, screenwriter of Slumdog Millionaire, at the 2018 BFI Film Academy graduation
Tim Whitby

Today’s industry premiere at BFI Southbank marks the end of an intensive two-week residential for students of the BFI Film Academy’s Craft Skills course run by the world-leading National Film and Television School (NFTS). The residential delivered by NFTS is the pinnacle of the BFI Film Academy, featuring talented students mostly selected from regional BFI Film Academy courses that have been running across the UK from September 2017.

The films premiered at BFI Southbank are:

  • Nightless – A working-class mother prioritises security over an employment opportunity, putting her relationship with her traumatised daughter at risk.
  • Hindsight – Tony, an ex-convict and addict, desperate for a new relationship with his daughter and former partner, must overcome his past temptations and prove that he’s final changed his ways.
  • Clown in a Church – The determination of an ambitious journalist transforms an amateur documentary about a dissatisfied clown into an essay on the meaning of morality.
  • The Narrator – Finally rebelling against the narrator that controls her life, an ordinary woman desperately tries to break free from her role as the leading lady in a movie she’s tired of starring in.
  • Cabin Fever – In an isolated cabin in North Dakota, a widowed doctor must confront his past after a young man breaks into his home.
  • Bittersweet – In 1952, a struggling Scottish single-mother must choose between financial security and the safety of her son when someone comes knocking at her door.
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