Contra the Monaco royal family’s apprehensions, this year’s festival opener is less a farce, more a “stiff, moribund piece of soft-focus hagiography… for lovers of regal camp,” reports Jonathan Romney.
Wednesday 14 May 2014
…and the drumming. And the projection. Nick James tries to waive the auteurism in the face of the piecemeal pleasures of Foxcatcher, Whiplash, the, uh, Dardennes’ Two Days, One Night and other highlights so far.
Tuesday 20 May 2014