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    <title>BFI | Features and reviews</title>
    <link>https://www.bfi.org.uk/articles</link>
    <description>Discover the latest from the BFI, the UK’s lead organisation for film, television and the moving image.</description>
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      <title>10 great East African films</title>
      <link>https://www.bfi.org.uk/lists/10-great-east-african-films</link>
      <description>As Film Africa opens with the UK premiere of Cannes prizewinner Ben’Imana, we explore 10 films that reveal the richness, diversity and transnational currents of East African cinema, challenging perceptions along the way.</description>
      <dc:creator>Abiba Coulibaly</dc:creator>
      <pubDate>Fri, 23 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Whalefall: Austin Abrams gives it his all in a passable film about a man swallowed by a whale</title>
      <link>https://www.bfi.org.uk/sight-and-sound/reviews/whalefall-austin-abrams-gives-it-his-all-passable-film-about-man-swallowed-whale</link>
      <description>Brian Duffield’s CGI-filled blockbuster production has moments spectral of sci-fi beauty behind the blubber, but can’t quite capture the evocative prose of Daniel Krauss’s source novel. </description>
      <dc:creator>Adam  Nayman</dc:creator>
      <pubDate>Thu, 22 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Portrait of a lady: Sofia Coppola’s Marie Antoinette</title>
      <link>https://www.bfi.org.uk/sight-and-sound/features/portrait-of-a-lady-sofia-coppola-marie-antoinette</link>
      <description>With The Making of Marie Antoinette arriving in cinemas this week, we revisit Pam Cook’s analysis of Sofia Coppola’s irreverent teen queen biopic. From our November 2006 issue.</description>
      <dc:creator>Pam Cook</dc:creator>
      <pubDate>Tue, 20 Oct 2026 00:00:00 GMT</pubDate>
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      <title>“It was a way of understanding my own generation”: Manuela Martelli on her snowbound Chilean drama The Meltdown</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/manuela-martelli-meltdown</link>
      <description>The award-winning director of 1976 talks to us about her second feature, a wintry coming-of-age drama set during Chile’s uneasy transition to democracy.</description>
      <dc:creator>Georgia Korossi</dc:creator>
      <pubDate>Tue, 20 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Inside the Archive #77: Preserving Frankenstein, a new-look study store and a trip to Colorado via London</title>
      <link>https://www.bfi.org.uk/inside-the-archive/news/inside-archive-77-preserving-frankenstein-new-look-study-store-trip-colorado-london</link>
      <description>This month, learn more about how we're preserving Guillermo del Toro’s latest creation, how funding is helping us transform vital archive facilities and a recent Colorado collaboration with actress Rebecca Hall. </description>
      <dc:creator>Rosie Taylor</dc:creator>
      <dc:creator>Alex Prideaux</dc:creator>
      <dc:creator>Selma Kerlow</dc:creator>
      <dc:creator>Paola Martucci</dc:creator>
      <pubDate>Tue, 20 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Mahershala Ali on Your Mother Your Mother Your Mother and the impact of representation</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/mahershala-ali-your-mother-your-mother-your-mother-impact-representation</link>
      <description>The two-time Oscar winner joined us for an LFF Screen Talk to discuss the cost of acclaim, portraying a Black father, and the challenge of finding fully realised roles now he's stepping up to play leading men.</description>
      <dc:creator>Whelan Barzey</dc:creator>
      <pubDate>Mon, 19 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Where to begin with Billy Wilder</title>
      <link>https://www.bfi.org.uk/features/where-begin-with-billy-wilder</link>
      <description>As our season dedicated to Billy Wilder gets under way, we plot a beginner’s path through the bittersweet comedies and acerbic noirs of one of the most celebrated directors of the golden age of Hollywood.</description>
      <dc:creator>Ruby McGuigan</dc:creator>
      <pubDate>Mon, 19 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Competition winners announced at 70th BFI London Film Festival</title>
      <link>https://www.bfi.org.uk/london-film-festival/news/competition-winners-announced-70th-bfi-london-film-festival</link>
      <description>And the winners are...</description>
      <pubDate>Sun, 18 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Club Kid: an outrageously funny crowdpleaser </title>
      <link>https://www.bfi.org.uk/sight-and-sound/reviews/club-kid-outrageously-funny-crowdpleaser</link>
      <description>Jordan Firstman’s debut stays true to his irreverent humour while leaving just enough room for sincerity in its sweet story of a queer NYC club promoter who discovers he has a 10-year-old son. </description>
      <dc:creator>Barry Levitt</dc:creator>
      <pubDate>Sat, 17 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Danny Boyle on his tabloid chronicle Ink: “The attention economy, clickbait, the dopamine economy – this is its hatching point”</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/danny-boyle-ink</link>
      <description>Danny Boyle discusses adapting James Graham’s Ink, tracing the roots of Britain’s tabloid revolution and exploring how the Sun helped create the attention economy that now shapes social media and modern politics.</description>
      <dc:creator>Lou Thomas</dc:creator>
      <pubDate>Fri, 16 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Revisiting Pakeezah, Hindi cinema’s great tragedy of desire and entrapment</title>
      <link>https://www.bfi.org.uk/features/revisiting-pakeezah-hindi-cinemas-great-tragedy-desire-entrapment</link>
      <description>Years in the making, Pakeezah is a haunting collaboration between a dying star and the artists around her. As a new restoration screens at LFF, writer and filmmaker Nasheed Qamar Faruqi explores one of Indian cinema’s most emotionally devastating dramas.</description>
      <dc:creator>Nasheed Qamar Faruqi</dc:creator>
      <pubDate>Fri, 16 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Robert Eggers on Werwulf and his career in film: “Everybody is a bit of an island”</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/robert-eggers-werwulf</link>
      <description>The director of The Witch, The Lighthouse and Nosferatu reflected on folklore, filmmaking and creative partnership at an LFF Screen Talk, where audiences were treated to the first footage from his next nightmare, Werwulf.</description>
      <dc:creator>Ibrahim Azam</dc:creator>
      <pubDate>Fri, 16 Oct 2026 00:00:00 GMT</pubDate>
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      <title>10 great black-and-white films of the 2020s</title>
      <link>https://www.bfi.org.uk/lists/10-great-black-white-films-2020s</link>
      <description>Ahead of the release of Fatherland, Pawel Pawlikowski’s latest black-and-white vignette of mid-century Europe, we round up other films from the decade so far which reclaim monochrome from film history’s past.</description>
      <dc:creator>Alex Ramon</dc:creator>
      <pubDate>Thu, 15 Oct 2026 00:00:00 GMT</pubDate>
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      <title>All Rivers Spill Their Stories to the Sea: Jeanie Finlay’s documentary is a display of community solidarity in the face of ecological disaster </title>
      <link>https://www.bfi.org.uk/sight-and-sound/reviews/all-rivers-spill-their-stories-sea-jeanie-finlays-documentary-display-community-solidarity-face-ecological-disaster</link>
      <description>With the help of the charismatic north-eastern fisherman Stan Rennie, Jeanie Finlay follows a coastal community in crisis after a series of mass shellfish die-offs along England’s Tees estuary.
</description>
      <dc:creator>Nick Bradshaw</dc:creator>
      <pubDate>Thu, 15 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Javier Bardem on Bunker and The Beloved: “I’ve been in some toxic environments”</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/javier-bardem-bunker-beloved</link>
      <description>Whether playing an abusive filmmaker or an architect consumed by ambition, Javier Bardem’s latest characters struggle to see the harm they inflict on those around them. He discusses flawed masculinity, ageing and vulnerability on screen.</description>
      <dc:creator>Lou Thomas</dc:creator>
      <pubDate>Wed, 14 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Once Upon a Time in Harlem: William Greaves and son preserve a Harlem Renaissance reunion with a marvel of cinéma vérité</title>
      <link>https://www.bfi.org.uk/sight-and-sound/reviews/once-upon-time-harlem-william-greaves-son-preserve-harlem-renaissance-reunion-with-marvel-cinema-verite</link>
      <description>Using footage shot by his father in 1972, director David Greaves has completed a fascinating documentary that invites viewers to hang out with inspiring cultural revolutionaries.</description>
      <dc:creator>Murtada Elfadl</dc:creator>
      <pubDate>Wed, 14 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Michael Winterbottom on The Trip to the Northern Lights: “Steve’s not worried about appearing grumpy or lonely”</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/michael-winterbottom-trip-northern-lights-steve-coogan-rob-brydon</link>
      <description>As Steve Coogan and Rob Brydon return for another series of The Trip – this time bound for Scandinavia – we spoke to director Michael Winterbottom about the lines between fact and fiction, TV and cinema, and why it’s difficult to be as prolific as Ingmar Bergman.</description>
      <dc:creator>Sam Wigley</dc:creator>
      <pubDate>Wed, 14 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Whose side are you on?: Harlan County U.S.A. reviewed in 1978</title>
      <link>https://www.bfi.org.uk/sight-and-sound/reviews/whose-side-are-you-harlan-county-usa-reviewed-1978</link>
      <description>As Barbara Kopple’s miners’ strike documentary turns 50, we republish our original review of the film from Sight and Sound’s sister publication Monthly Film Bulletin.
</description>
      <dc:creator>Tim Pulleine</dc:creator>
      <pubDate>Wed, 14 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Winners announced at the 2026 BFI &amp; CHANEL Filmmaker Awards</title>
      <link>https://www.bfi.org.uk/news/winners-announced-2026-bfi-chanel-filmmaker-awards</link>
      <description>Jessie Buckley and Gwendoline Christie joined the jury this year to present the awards to the winning filmmakers, who are selected for their creative audacity.</description>
      <pubDate>Wed, 14 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Life of Jorge Luis Borges: a labyrinthian voyage through the work of Argentina’s best known writer</title>
      <link>https://www.bfi.org.uk/sight-and-sound/reviews/life-jorge-luis-borges-labyrinthian-voyage-through-work-argentinas-best-known-writer</link>
      <description>Director Mariano Llínas’s five-hour documentary reads through the lines of Jorge Luis Borges’s work, digging into his archives to create a playful investigative literary mystery. </description>
      <dc:creator>Nick James</dc:creator>
      <pubDate>Tue, 13 Oct 2026 00:00:00 GMT</pubDate>
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      <title>John Malkovich on Wild Horse Nine and “the most terrible line I’ve ever had to give”</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/john-malkovich-wild-horse-nine-most-terrible-line-ive-ever-had-give</link>
      <description>Reflecting on a screen career spanning Dangerous Liaisons to his Oscar-tipped turn in Wild Horse Nine, John Malkovich argued that a screen actor is ultimately “a figure in someone else’s dream” during an entertaining and wide-ranging LFF Screen Talk.</description>
      <dc:creator>Brogan Morris</dc:creator>
      <pubDate>Tue, 13 Oct 2026 00:00:00 GMT</pubDate>
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      <title>“There’s such a sense of helplessness right now in America”: Beth de Araújo on Josephine</title>
      <link>https://www.bfi.org.uk/sight-and-sound/interviews/theres-such-sense-helplessness-right-now-america-beth-de-araujo-josephine</link>
      <description>As the second week of LFF gets underway, we speak to Beth de Araújo about taking a child’s eye view for her second feature, Josephine, a disquieting exploration of sexual violence based on a traumatic event from the director’s childhood. </description>
      <dc:creator>Katie McCabe</dc:creator>
      <pubDate>Tue, 13 Oct 2026 00:00:00 GMT</pubDate>
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      <title>BFI Film Academy launches expanded programme for 2026 to 2029 including free training courses and paid professional development placements</title>
      <link>https://www.bfi.org.uk/news/bfi-film-academy-launches-expanded-programme-2026-2029</link>
      <description>Supported by UK Government and BFI National Lottery funding, the programme welcomes industry partners including Aardman, Amazon MGM Studios, Framestore, and Lucasfilm.</description>
      <pubDate>Tue, 13 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Where to begin with Lee Chang-dong   </title>
      <link>https://www.bfi.org.uk/features/where-begin-with-lee-chang-dong</link>
      <description>Ahead of the UK release of his acclaimed new film Possible Love, we pick a beginner’s path through the work of South Korea’s master of slow-burn drama and the emotional gut-punch.</description>
      <dc:creator>Luke Georgiades</dc:creator>
      <pubDate>Mon, 12 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Naomi Ackie on I Love Boosters and her approach to acting: “Talent is one thing, but the practice and the craft is completely different”</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/naomi-ackie-i-love-boosters-lff-screen-talk</link>
      <description>Funny, self-deprecating and refreshingly down to earth, Naomi Ackie joined us for an LFF Screen Talk to discuss fame, failure, horror movies and the craft behind her acclaimed performances.</description>
      <dc:creator>Baneet Sarai</dc:creator>
      <pubDate>Mon, 12 Oct 2026 00:00:00 GMT</pubDate>
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      <title>“You can show a range of emotion that you don’t usually get in the cinema”: Derek Jarman on Edward II</title>
      <link>https://www.bfi.org.uk/sight-and-sound/interviews/you-can-show-range-emotion-that-you-dont-usually-get-cinema-derek-jarman-edward-ii</link>
      <description>As Theo Rollason’s new making-of documentary Queer Edward II plays at the LFF, we revisit our 1991 interview with Derek Jarman about the intentions behind specific shots, costumes and lighting in Edward II.</description>
      <dc:creator>Michael O'Pray</dc:creator>
      <pubDate>Mon, 12 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Andrew Scott on Hamlet, Elsinore and his career in film: “Shakespeare was thinking of me the whole time”</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/andrew-scott-hamlet-elsinore-his-career-film-shakespeare-was-thinking-me-whole-time</link>
      <description>At his LFF Screen Talk, the acclaimed actor reflected on fame, craft and queer representation as he discussed Elsinore, his deeply personal new film about the late Hamlet star Ian Charleson.</description>
      <dc:creator>Baneet Sarai</dc:creator>
      <pubDate>Fri, 09 Oct 2026 00:00:00 GMT</pubDate>
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      <title>Sofia Coppola on Making Marie Antoinette and her career in film</title>
      <link>https://www.bfi.org.uk/london-film-festival/interviews/sofia-coppola-making-marie-antoinette-her-career-film</link>
      <description>Talking at her LFF Screen Talk, Coppola spoke about the importance of point of view, a key purchase in a London record shop, and why she thought no one would like Lost in Translation.</description>
      <dc:creator>Josh Slater-Williams</dc:creator>
      <pubDate>Fri, 09 Oct 2026 00:00:00 GMT</pubDate>
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      <title>UK Global Screen Fund announces over £1.7m of support in latest awards</title>
      <link>https://www.bfi.org.uk/news/uk-global-screen-fund-support-latest-awards</link>
      <description>The fund also unveils the agencies appointed to deliver international promotional activities under ScreenUK.</description>
      <pubDate>Fri, 09 Oct 2026 00:00:00 GMT</pubDate>
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      <title>The Uprising: A murky retelling of the 1381 Peasants’ Revolt</title>
      <link>https://www.bfi.org.uk/sight-and-sound/reviews/uprising-murky-retelling-1381-peasants-revolt</link>
      <description>Paul Greengrass’s 14th-century historical drama keeps the action moving, but leaves its character development in the mud.</description>
      <dc:creator>Henry K Miller</dc:creator>
      <pubDate>Thu, 08 Oct 2026 00:00:00 GMT</pubDate>
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