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Sight & Sound

The international film magazine

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Recent highlights

  • Film of the week: The Club

    Pablo Larraín’s festering drama imagines the limbo on earth in which the Catholic Church hides its priests of ill-repute, says Tony Rayns.
    Friday 25 March 2016

  • Watch the opening five minutes of The Club

    An exclusive look at the opening scenes of Pablo Larraín’s new drama about a twilit ‘club’ of guilty Catholic priests.
    Wednesday 16 March 2016

  • Toon of the Month: Pineapple Calamari

    Chris Robinson on Kasia Nalewajka’s surrealist portrait of grief at the races, as extraordinary as Vertigo crossed with Creature Comforts.
    Friday 25 March 2016

  • Jan Nemec, 1936–2016

    Michael Brooke on one of Czech cinema’s most prodigious talents and uncompromising nonconformists, whose career was derailed by the post-1968 repression of the Prague Spring.
    Tuesday 22 March 2016

  • Film of the week: The Pearl Button

    Maria Delgado embraces the contemplative poetry of Patricio Guzmán’s personal and political journey across the history and psyche of his Chilean homeland, in which water serves as an agent of life, freedom, memory, justice – and their opposites.
    Thursday 17 March 2016

  • Ukraine goes to Hollywood

    Cinema’s depictions of the country’s recent political turmoil has been a whitewash, argues Celluloid Liberation Front.
    Saturday 19 March 2016

  • Thieves in the temple: reframing the archive with Miranda Pennell and Sarah Wood

    Sophie Mayer takes flight with the post-colonial, border-transcending archival documentaries of two contemporary British film essayists.
    Wednesday 16 March 2016

  • Voices of the undead: Robert Eggers on The Witch

    The writer-director of this “archetypal New England horror story” tells Anton Bitel about pulling a powerful Puritan’s nightmare from our collective unconscious.
    Thursday 10 March 2016

Our current issue

  • Sight & Sound: the April 2016 issue

    Sight & Sound: the April 2016 issue

    Tom Hiddleston and the cast and crew of High-Rise talk class and violence past and future – and the rise of cinema’s Ballardian worldview. Plus Hail, Caesar!, The Club, The Pearl Button, Victoria and the uncompromising films of the great Alan Clarke.

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