All From the Sight and Sound archive articles

Harvey Keitel on working with Martin Scorsese, Quentin Tarantino and Abel Ferrara

‘An outstanding film director and a good European’: an interview with Max Ophüls

Flickers

From the archive: can Spider-Man do the comics justice?

The woman in the moon: Barbra Streisand in A Star Is Born

“I'm proud of being me”: Maggie Cheung, from As Tears Go By to Irma Vep

Slaughterhouse blues: Charles Burnett on Killer of Sheep

Not Quite So Intimate: Nigel Kneale in 1959

Dreaming in the light: Hugh Hudson on David Lean

The power of the cowgirl

Shadow and substance: F. W. Murnau’s Nosferatu

František Vláčil: out of the past

Sexual frustration and visual excess: Laura Mulvey on Douglas Sirk’s Written on the Wind

“You can have all the high-tech processes, but if you haven't a story going for you, it's nothing”: Douglas Trumbull on creating sci-fi classics

Asta Nielsen: the silent muse

“My thoughts on the New Wave are not uplifting”: Truffaut interviewed in 1979

Peter Bogdanovich’s Bond movie: Wes Anderson on Saint Jack

Hitchcockery: Truffaut and Bogdanovich, under the Master’s influence

Festive spirits

Dreams of conquest: bell hooks on Hoop Dreams

A close encounter with Steven Spielberg

The Lubitsch touch in The Shop Around the Corner

Strike a pose: fashion and film through the ages

Sacred and profane: Martin Scorsese’s Cape Fear

Mike Leigh: the naked truth

Gallivanting with Andrew Kötting, Big Granny and little Eden

“Sometimes nearly serious, always wildly funny”: Penelope Houston on Preston Sturges

The method and madness of Nicolas Cage