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Chris Robinson on IBM scientists dipping their toes into the art of computer animation, starting small.
Vdrome’s current presentation – ostensibly a tour of CalArts’ campus – provokes then-and-now thoughts on the prospects for making and showing art in the ‘real’ world, says Nathaniel Budzinski.
There’s no second-guessing which of many contenders Steven Spielberg’s jury is about to anoint, says Nick James.
Nick James on a great set of prizes.
Lav Diaz’s Dostoyevskian epic Norte, End of History should surely have been competing for top honours in this year’s festival, says Kieron Corless.
Olivier Assayas reignites the early 1970s in all their vibrancy and vitality, says Jonathan Romney.
