Sight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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On the cover: The 50 best films of 2025 – how many have you seen? Inside: Lucile Hadžihalilović interviewed by Peter Strickland, Park Chan-wook on No Other Choice, Chloé Zhao on Hamnet, Richard Linklaters tour of the Nouvelle Vague and Edgar Wight in conversation with Stephen King.
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The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreLatest stories
Queen at Sea: a nuanced and unshowy drama about the moral dilemmas that arise with dementia
Lance Hammer’s film starring Juliette Binoche as the concerned daughter of a mother with advancing dementia presents an unsentimental yet highly empathetic meditation on the limits of love in the face of the brutal march of time.
By Rachel Pronger
Josephine: a harrowing child’s eye view of the injustice faced by sexual assault survivors
By Rachel Pronger
The Testament of Ann Lee: Mona Fastvold delivers an almost spiritual experience in this musical-biopic
By Katie McCabe
Collective Monologue: an unconventional and touching portrait of cross-species connection
By Hope Rangaswami
Rose: Sandra Hüller is quietly mesmerising in this gender-defying German period drama
By John Bleasdale
Yellow Letters: Turkish theatremakers face state suppression in this politically-charged Golden Bear winner
By Travis Jeppesen
Rosebush Pruning: strong performances and stylish visuals can’t save this hollow skewering of the ultra-rich
By Jonathan Romney
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
An audience with Howard Hawks
By Joseph McBride and Michael Wilmington
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
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