The new issue of Sight and Sound
On the cover: 21st-century sci-fi special – from dystopias to dreamworlds, the essential science-fiction films of the millennium so far Inside: Cannes bulletin including interviews with Sandra Hüller and Bruce Dern, Sumitra Peries interviewed by Mark Cousins and we revisit David Robinson's 1966 visit to the set of Stanley Kubrick's 2001: A Space Odyssey
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Subscribe nowSight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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The Furious: familiar revenge cinema gets an exuberant martial-arts workout
The award-winning action choreographer Tanigaki Kenji‘s tight revenge thriller pares the action movie back to its bruising essentials and gestures towards a Pan-Asian future for Hong Kong genre cinema.
By David West
Don’t try this at home: Jackass: The Movie reviewed in 2003
By Edward Lawrenson
“I want to make films about my community”: Akinola Davies Jr
By Nadia Denton
Excavating legacies: Euzhan Palcy interviewed by June Givanni
By Abiba Coulibaly
The monster and the mirror: Black resistance humour in cinema
By Artel Great
Nirvanna the Band the Show the Movie: a gloriously silly time-travel comedy about friendship and creative ambition
By Will Sloan
Toy Story 5: screen-time overtakes creative play in Pixar’s imaginative tear-jerker
By Leigh Singer

The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
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Find out moreThe Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Don’t try this at home: Jackass: The Movie reviewed in 2003
As Jackass: Best and Last hits cinemas this week, we revisit the franchise’s first big-screen offering, which our critic found both “pathologically puerile” and charmingly loose. From our March 2003 issue.
By Edward Lawrenson
Death becomes Visconti
By Michael Wood
A close encounter with Steven Spielberg
By Richard Combs
A “lethally perfumed neo-noir”: David Lynch’s Mulholland Dr.
By Graham Fuller
Blonde ambition: Legally Blonde reviewed in 2001
By Kay Dickinson
Beauties and the beast: Lina Wertmüller’s Seven Beauties and Martin Scorsese’s Taxi Driver
By Colin L. Westerbeck Jr.
Italian auteurs and American upstarts: the Cannes Film Festival in 1976
By Penelope Houston
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