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Jonathan Romney on the late Chilean master’s fond farewell to a life of artistic delinquency.
Nick James checks his notes: the festival’s most tender as well as telling film so far comes from the Austrian disciplinarian.
Geoff Andrew on the Palme d’Or alumnus’s return to the Competition.
The Austrian director’s sex-tourism drama could be his richest film yet, says Pamela Jahn.
Demetrios Matheou sees Pablo Larraín close out his trilogy about Chile’s years of dictatorship with wit and verve.
Tom Charity on a smart doc fresh from Toronto’s HotDocs and Sundance – and Bernard Rose revisit Tolstoy in Hollywood.
