The new issue of Sight and Sound
On the cover: Ken Russell’s The Devils: the controversial masterpiece returns. Inside: Paweł Pawlikowski discusses his new feature Fatherland, Boots Riley on I Love Boosters, a look inside a rediscovered scrapbook detailing the workings of F.W. Murnau’s Faust, the Venice film festival bulletin, David Thompson pays tribute to Jeremy Thomas, and we return to our archive and to a conversation between Billy Wilder and designer Saul Bass.
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Subscribe nowSight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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The Uprising: A murky retelling of the 1381 Peasants’ Revolt
Paul Greengrass’s 14th-century historical drama keeps the action moving, but leaves its character development in the mud.
By Henry K Miller
“My one political film”: Ken Russell on The Devils
By Ken Russell
Queer Edward II: New Derek Jarman documentary captures a vital piece of cinematic history
By Travis Jeppesen
The Face of Horror: Anna Biller bewitches with a tragic medieval horrorshow
By Savina Petkova
Digger: an unwieldy but compulsively watchable satire
By Philip Concannon
“Sick and kinky”: The BBFC and Ken Russell’s The Devils
By Linda Ruth Williams
21 great films playing at BFI London Film Festival 2026
21 great films playing at BFI London Film Festival 2026
The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreSight and Sound back issues, indexes and archive
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Find out moreThe Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
“My one political film”: Ken Russell on The Devils
For a special 1995 Sight and Sound supplement on film censorship, the writer and director of The Devils detailed his ambitions for the film – including his rationales for its most scandalising scenes – and his run-ins with its range of detractors.
By Ken Russell
“It comes out of an anger about the way things are”: Martin Scorsese on The Departed
By Ian Christie
On Bresson: Olivier Assayas, Paul Schrader, Aki Kaurismäki and more discuss the French director
By Michael Brooke
The making of a super-producer: Jeremy Thomas interviewed in 2014
By Nick James
The discreet murderer of the bourgeoisie: an interview with Claude Chabrol
By Rui Nogueira and Nicoletta Zalaffi
“He is the blockbuster given human form”: J. Hoberman on Arnold Schwarzenegger
By J. Hoberman
“We wanted the film to have a vibrancy, to be larger than life”: Danny Boyle on Trainspotting
By Geoffrey Macnab
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