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The new issue of Sight and Sound

Inside the mind of Christopher Nolan Plus: The Zone of Interest – All of Us Strangers – American Fiction – Wim Wenders – Marc Isaacs – The Kitchen – Samsara – Alice Guy-Blaché

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The Greatest Films of All Time

Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.

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Reviews

The New Boy: realism is undercut by magic in Warwick Thornton’s Outback fable

A young indigenous boy with perplexing powers is forcibly brought to a Christian orphanage led by the alcoholic Sister Eileen (Cate Blanchett) in Warwick Thornton’s sketchy, fragmented drama.

By Jonathan Romney

The New Boy: realism is undercut by magic in Warwick Thornton’s Outback fable
Reviews

Banel & Adama: Ramata-Toulaye Sy’s elemental love story has the air of a parable

By Annabel Bai Jackson

Banel & Adama: Ramata-Toulaye Sy’s elemental love story has the air of a parable
Reviews

Drive-Away Dolls: a lesbian road trip comedy that feels authentic to the 1990s but stuck there, too

By Simran Hans

Drive-Away Dolls: a lesbian road trip comedy that feels authentic to the 1990s but stuck there, too
From the Sight and Sound archive

Only a dream: Gene Tierney

By Dan Callahan

Only a dream: Gene Tierney
Reviews

Monster: Koreeda Hirokazu’s elegant and imaginative expression of childhood

By Guy Lodge

Monster: Koreeda Hirokazu’s elegant and imaginative expression of childhood
Reviews

Imaginary: a sufficiently creepy domestic ghost story

By Kim Newman

Imaginary: a sufficiently creepy domestic ghost story
Festivals

Trans films in the spotlight as BFI Flare returns

By Ben Walters

Trans films in the spotlight as BFI Flare returns
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My Dream Palace

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

By Nick Broomfield

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

Ten key cinema workers on the way out of lockdown

By Katie McCabe and Isabel Stevens

Ten key cinema workers on the way out of lockdown

Let there be projector light: 80 films that take us inside cinemas

By Thomas Flew

Let there be projector light: 80 films that take us inside cinemas
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The Weekly Film Bulletin

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From our archives

An audience with Howard Hawks

By Joseph McBride and Michael Wilmington

An audience with Howard Hawks

Rhapsody in blue: Barry Jenkins on Moonlight

By Gaylene Gould

Rhapsody in blue: Barry Jenkins on Moonlight

Keeping a distance: Chantal Akerman’s Jeanne Dielman

By Janet Bergstrom

Keeping a distance: Chantal Akerman’s Jeanne Dielman
See all features from our archives

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