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The new issue of Sight and Sound

Inside the mind of Christopher Nolan Plus: The Zone of Interest – All of Us Strangers – American Fiction – Wim Wenders – Marc Isaacs – The Kitchen – Samsara – Alice Guy-Blaché

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The Greatest Films of All Time

Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.

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Reviews

Drive-Away Dolls: a lesbian road trip comedy that feels authentic to the 1990s but stuck there, too

Ethan Coen and Tricia Cooke’s self-consciously trashy road movie has some laughs, but at times the jokes just feel dated.

By Simran Hans

Drive-Away Dolls: a lesbian road trip comedy that feels authentic to the 1990s but stuck there, too
From the Sight and Sound archive

Only a dream: Gene Tierney

By Dan Callahan

Only a dream: Gene Tierney
Reviews

Monster: Koreeda Hirokazu’s elegant and imaginative expression of childhood

By Guy Lodge

Monster: Koreeda Hirokazu’s elegant and imaginative expression of childhood
Reviews

Imaginary: a sufficiently creepy domestic ghost story

By Kim Newman

Imaginary: a sufficiently creepy domestic ghost story
Festivals

Trans films in the spotlight as BFI Flare returns

By Ben Walters

Trans films in the spotlight as BFI Flare returns
From the Sight and Sound archive

“You can’t let the audience get ahead of you”: Raoul Walsh interviewed in 1972

By James Childs

“You can’t let the audience get ahead of you”: Raoul Walsh interviewed in 1972
Reviews

High & Low: John Galliano: a thoughtful, expansive portrait of a disgraced fashion designer

By Nick Bradshaw

High & Low: John Galliano: a thoughtful, expansive portrait of a disgraced fashion designer
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My Dream Palace

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

By Nick Broomfield

“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras

Ten key cinema workers on the way out of lockdown

By Katie McCabe and Isabel Stevens

Ten key cinema workers on the way out of lockdown

Let there be projector light: 80 films that take us inside cinemas

By Thomas Flew

Let there be projector light: 80 films that take us inside cinemas
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The Weekly Film Bulletin

Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.

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From our archives

Rhapsody in blue: Barry Jenkins on Moonlight

By Gaylene Gould

Rhapsody in blue: Barry Jenkins on Moonlight

An audience with Howard Hawks

By Joseph McBride and Michael Wilmington

An audience with Howard Hawks

Keeping a distance: Chantal Akerman’s Jeanne Dielman

By Janet Bergstrom

Keeping a distance: Chantal Akerman’s Jeanne Dielman
See all features from our archives

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