Sight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
Get your copyThe new issue of Sight and Sound
On the cover: The 50 best films of 2025 – how many have you seen? Inside: Lucile Hadžihalilović interviewed by Peter Strickland, Park Chan-wook on No Other Choice, Chloé Zhao on Hamnet, Richard Linklaters tour of the Nouvelle Vague and Edgar Wight in conversation with Stephen King.
Get your copy
The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreLatest stories
H is for Hawk: Claire Foy brings a measured intensity to this uneven grief drama
Philippa Lowthorne's shrewd adaptation of Helen Macdonald's memoir lacks some emotional nuance, but is a worthy addition to the canon of animal therapy films.
By Guy Lodge
David Lynch’s indie empire
By Phil Hoad
Saipan: Roy Keane and Mick McCarthy’s famous fallout gets an unsatisfying screen retelling in a rare sports film that has no winners
By Philip Concannon
Bulk: Ben Wheatley creates a thrilling experimental film about a failed experiment
By Anton Bitel
28 Years Later: The Bone Temple: the zombie franchise rolls on, fuelled by blood, guts and Duran Duran
By Henry K Miller
The Voice of Hind Rajab: an emotionally devastating film that blurs the boundary between resistance and spectacle
By Joseph Fahim
Rental Family: Brendan Fraser brings goofy charm to this restrained fish-out-of-water comedy
By Sara Merican
Sight and Sound back issues, indexes and archive
Browse and order our past issues, including specials; download our annual indexes; access our complete digital archive.
Find out moreMy Dream Palace
“It was fairly anarchic…” Nick Broomfield recalls Greek cinema under the stars with all-natural extras
By Nick Broomfield
Ten key cinema workers on the way out of lockdown
By Katie McCabe and Isabel Stevens
Let there be projector light: 80 films that take us inside cinemas
By Thomas Flew
The Weekly Film Bulletin
Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
Keeping a distance: Chantal Akerman’s Jeanne Dielman
By Janet Bergstrom
An audience with Howard Hawks
By Joseph McBride and Michael Wilmington
Rhapsody in blue: Barry Jenkins on Moonlight
By Gaylene Gould
Follow us on social media
Sight and Sound FAQs
Frequently asked questions about subscriptions and contributing to the magazine.
Read this page