Sight and Sound

The new issue of Sight and Sound

On the cover: Ken Russell’s The Devils: the controversial masterpiece returns. Inside: Paweł Pawlikowski discusses his new feature Fatherland, Boots Riley on I Love Boosters, a look inside a rediscovered scrapbook detailing the workings of F.W. Murnau’s Faust, the Venice film festival bulletin, David Thompson pays tribute to Jeremy Thomas, and we return to our archive and to a conversation between Billy Wilder and designer Saul Bass.

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Sight and Sound presents the auteur series: Chantal Akerman

In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.

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The Greatest Films of All Time

Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.

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The Weekly Film Bulletin

Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.

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From our archives

From the Sight and Sound archive

On Bresson: Olivier Assayas, Paul Schrader, Aki Kaurismäki and more discuss the French director

Robert Bresson's films are so singular that they have inspired legions of fine directors. Here Olivier Assayas, Bruno Dumont, Paul Schrader, Eugène Green and Aki Kaurismäki pledge their allegiance, while Michael Brooke introduces his work. From our November 2007 issue.

By Michael Brooke

On Bresson: Olivier Assayas, Paul Schrader, Aki Kaurismäki and more discuss the French director
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