The new issue of Sight and Sound
On the cover: award-winning director Christiopher Nolan on The Odyssey, oral tradition and Imax. Inside: tributes to Tony Rayns and Sam Neil, a look back on Chantal Akerman and Martin Scorsese’s New York, Gary Owen on bringing Effi O Blaenau to the screen, Pedro Almodóvar on Bitter Christmas, Maite Alberdi on A Child of My Own and we return to our Winter 1970/71 interview with Claude Chabrol.
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”I’ve been subscribing to Sight and Sound for 60 years” – Martin Scorsese
Subscribe nowSight and Sound presents the auteur series: Chantal Akerman
In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.
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Spider-Man: Brand New Day: An underwhelming spidey spectacle
Tom Holland’s Peter Parker returns amid an existential crisis in a brand-extension blockbuster that lacks the springy spontaneity of Spider-Man: Homecoming.
Animal Farm: Cutesy adaptation of George Orwell’s text falls flat
By Leigh Singer
Sight and Sound: the September 2026 issue
Sight and Sound: the September 2026 issue“He was a giant for work”: Michal Leszczylowski, editor of The Sacrifice, on Andrei Tarkovsky
By Michal Leszczylowski
A Child of My Own: Maite Alberdi’s tricksy documentary about a woman who stole a newborn paints moral grey areas with shades of pink
By Katie McCabe
Bouchra: a striking animation about identity, connection and creativity
By Blake Simons
“A small masterpiece of cinematic storytelling”: Chicken Run reviewed in 2000
By Kim Newman

The Greatest Films of All Time
Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.
Find out moreSight and Sound back issues, indexes and archive
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Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.
See our weekly film bulletin archiveFrom our archives
“He was a giant for work”: Michal Leszczylowski, editor of The Sacrifice, on Andrei Tarkovsky
Now 40 years old, Andrei Tarkovsky’s final film The Sacrifice returns to cinemas this week. In this piece from our Autumn 1987 issue, the film’s editor Michal Leszczylowski recounts the year he spent collaborating with Tarkovsky, who fell ill shortly after shooting concluded.
By Michal Leszczylowski
Gods and monsters: Spirited Away reviewed in 2003
By Andrew Osmond
The misfits of Zwigoff: a visit to the set of Ghost World
By SF Said
Lonesome tonight: Tony Rayns and Edward Yang on A Brighter Summer Day
By Tony Rayns
God’s lonely man: Amy Taubin on Taxi Driver
By Amy Taubin
Don’t try this at home: Jackass: The Movie reviewed in 2003
By Edward Lawrenson
Death becomes Visconti
By Michael Wood
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