Sight and Sound

The new issue of Sight and Sound

On the cover: award-winning director Christiopher Nolan on The Odyssey, oral tradition and Imax. Inside: tributes to Tony Rayns and Sam Neil, a look back on Chantal Akerman and Martin Scorsese’s New York, Gary Owen on bringing Effi O Blaenau to the screen, Pedro Almodóvar on Bitter Christmas, Maite Alberdi on A Child of My Own and we return to our Winter 1970/71 interview with Claude Chabrol.

Get your copy
Sight and Sound logo

Free tote bag for UK subscribers

”I’ve been subscribing to Sight and Sound for 60 years” – Martin Scorsese

Subscribe now

Sight and Sound presents the auteur series: Chantal Akerman

In a new edition of the series celebrating the work of the greatest auteur directors in history, we delve into our archives to revisit the radical cinema of Chantal Akerman, whose film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, was voted Greatest of All Time in 2022.

Get your copy

Latest stories

See more articles
Sight and Sound logo

The Greatest Films of All Time

Once a decade Sight and Sound asks critics to select the best films ever made. Find out the results of our largest ever poll.

Find out more

The Weekly Film Bulletin

Sign up below for a free extra helping of Sight and Sound, keeping you in touch with the latest film news, reviews and features from our archive.

See our weekly film bulletin archive

From our archives

From the Sight and Sound archive

“He was a giant for work”: Michal Leszczylowski, editor of The Sacrifice, on Andrei Tarkovsky

Now 40 years old, Andrei Tarkovsky’s final film The Sacrifice returns to cinemas this week. In this piece from our Autumn 1987 issue, the film’s editor Michal Leszczylowski recounts the year he spent collaborating with Tarkovsky, who fell ill shortly after shooting concluded.

By Michal Leszczylowski

“He was a giant for work”: Michal Leszczylowski, editor of The Sacrifice, on Andrei Tarkovsky
See more articles

Follow us on social media