Exprimental animated documentary. For the nineteenth century, the world beneath the sea played much the same role that outer space played for the twentieth. The ocean depths were at once the ultimate scientific frontier and what Coleridge called 'the reservoir of the soul': the place of the unconscious, of imagination and the fantastic. 'Proteus' uses the undersea world as the locus for a meditation on the troubled intersection of scientific and artistic vision. The one-hour film is based almost entirely on the images of nineteenth century painters, graphic artists, photographers and scientific illustrators, photographed from rare materials in European and American collections and brought to life through innovative animation.
The central figure of the film is biologist and artist Ernst Haeckel (1834-1919). As a young man, Haeckel found himself torn between seeming irreconcilables: science and art, materialism and religion, rationality and passion, outer and inner worlds. Through his discoveries beneath the sea, Haeckel would eventually reconcile these dualities, bringing science and art together in a unitary, almost mystical vision. His work would profoundly influence not only biology but also movements, thinkers and authors as disparate as Art Nouveau and Surrealism, Sigmund Freud and D.H. Lawrence, Vladimir Lenin and Thomas Edison.
The key to Haeckel's vision was a tiny undersea organism called the radiolarian. Haeckel discovered, described, classified and painted 4000 species of these one-celled creatures. They are among the earliest forms of life. In their intricate geometric skeletons, Haeckel saw all the future possibilities of organic and created form. 'Proteus' explores their metamorphoses and celebrates their stunning beauty and seemingly infinite variety in animation sequences based on Haeckel's graphic work.
Around Haeckel's story, 'Proteus' weaves a tapestry of poetry and myth, biology and oceanography, scientific history and spiritual biography. The legend of Faust and the alchemical journey of Coleridge's Ancient Mariner are part of the story, together with the laying of the transatlantic telegraphic cable and the epic oceanographic voyage of HMS Challenger. All these threads lead us back to Haeckel and the radiolaria. Ultimately the film is a parable of both the difficulty and the possibility of unitary vision.
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