Jason Anderson
All articles by Jason Anderson
Reviews
Io Capitano: a surreal, shapeshifting quest for a new life in Europe
Two Senegalese teenagers embark on a dangerous journey across Africa toward the Mediterranean Sea in Matteo Garrone’s Homeric migrant drama.
By Jason Anderson
Io Capitano: a surreal, shapeshifting quest for a new life in Europe
Reviews
Freaks vs the Reich: a ludicrous circus fantasy filled with lavishly orchestrated carnage
By Jason Anderson
Reviews
Theater Camp: an affectionate stage kid mockumentary
By Jason Anderson
Reviews
Mission: Impossible – Dead Reckoning Part One: a thrilling blockbuster that continually ups the ante
By Jason Anderson
Reviews
Sisu: a brutal, pulpy and enjoyably ludicrous Finnish war movie
By Jason Anderson
Reviews
Bros: energy, emotion and smarts abound in this joyous mainstreaming of queer desire
By Jason Anderson
What to watch at LFF
Emily the Criminal: Aubrey Plaza excels in this well-drawn nail-biter
By Jason Anderson
Reviews
Emergency digs high racial satire from broad frat-buddy jeopardy
By Jason Anderson
Reviews
Tokyo Vice gives its crime-world probings the Michael Mann stamp
By Jason Anderson
Reviews
The Fever diagnoses a sickness in Bolsonaro’s Brazil
By Jason Anderson
Reviews
The Reason I Jump centres the viewpoints of its neurodivergent cast
By Jason Anderson
Reviews
The Stylist is a cut-throat hairdresser horror story
By Jason Anderson
Best of 2020
This Is Not a Burial, It’s a Resurrection brings a community to life whilst a widow lays her affairs to rest
By Jason Anderson
Reviews
Like a Boss review: this women-at-work comedy is a sorry business
By Jason Anderson
Reviews
The Man from Mo’ Wax review: the rise and fall of a musical maverick
By Jason Anderson
Reviews
Film of the week: Sweet Country, a landmark Aboriginal western
By Jason Anderson
Reviews
Film of the week: It Comes at Night, an astute and ruthless thriller
By Jason Anderson