Interviews
“There is another way”: making The Wild Robot
The makers of DreamWorks Animation’s wild escapade talk about bringing nature and technology together.
By Nick Bradshaw
“There is another way”: making The Wild Robot
Features and reviews
Discover the latest from the BFI, the UK’s lead organisation for film, television and the moving image.
News
BFI invests £1.5 million to address practices negatively impacting the industry’s workforce
BFI invests £1.5 million to address practices negatively impacting the industry’s workforceReviews
A Sudden Glimpse to Deeper Things: Mark Cousins’s astonishing portrait of Scottish abstractionist Wilhelmina Barns-Graham
By Annabel Bai Jackson
Reviews
Me: Don Hertzfeldt’s entropic musical short is out of this world
By Nick Bradshaw
Reviews
The Wild Robot: a compassionate eco-fable
By Alex Dudok de Wit
Features
Sean Baker on the politics in his films: “We’re telling stories that can be discussed by both sides” – LFF Screen Talk
By Josh Slater-Williams
Features
Denis Villeneuve: “If I had done the sandworm sequence myself, I’d still be shooting today” – LFF Screen Talk
By Ibrahim Azam
Reviews
Salem’s Lot: Suspense is king in this occasionally effective adaptation of a vampire classic
By Kim Newman
Terrifier 3: the murderous clown returns for a mean-spirited Santa slasher
By Anton Bitel
Reviews
Timestalker: Alice Lowe is dying for love in this gag-and-gore-strewn comedy
By Kate Stables
Interviews
“I went in without any preconceived notions of sex work”: Mikey Madison on Anora
By Lou Thomas
Interviews
“I tried to make the viewer a witness of this process of deterioration”: Sara Fgaier on her amnesia drama Weightless
By Georgia Korossi
From the Sight and Sound archive
Authentic talking cinema: the history of documentary
By Michael Chanan
Interviews
“We resisted neurotypical ways of making films”: how The Stimming Pool creates space for an autistic cinema
By Lillian Crawford
Interviews
“It wasn’t all Blitz spirit and ‘Let’s have a cup of tea.’ That’s a crock of shit”: Kathy Burke on Steve McQueen’s Blitz
By Katie McCabe
Features
How funding supports innovation in short filmmaking
By Emily Maskell
News
UK film sector handed major jobs and growth boost by tax reliefs
UK film sector handed major jobs and growth boost by tax reliefsNews
A note regarding our African Odysseys series
A note regarding our African Odysseys seriesFestivals
April: dread inhabits every frame of Déa Kulumbegashvili’s brilliant abortion drama
By Jessica Kiang
Interviews
How we made our drug-war drama Sujo: “Many kids born into this crisis are now becoming adults”
By Georgia Korossi
Features
Alien Isolation 10th anniversary: a decade of horrifyingly high stakes hide-and-seek
By Stuart Burnside
5 things to watch
5 things to watch this weekend – 4 to 6 October
By Sam Wigley
Interviews
Fire of Wind: Marta Mateus on her moonlit vigil in Portuguese wine country
By Sam Wigley
News
Sight and Sound: the November 2024 issue
Sight and Sound: the November 2024 issueReviews
Soundtrack to a Coup d’État: Johan Grimonprez’s collision of politics and jazz
By Sam Davies
Festivals
20 great films playing at BFI London Film Festival 2024
20 great films playing at BFI London Film Festival 202410 great
10 great comedy horror films
By Anton Bitel
From the Sight and Sound archive
The edge of the razor: Catherine Breillat on Romance
By Leslie Felperin and Linda Ruth Williams
News
Tilda Swinton presents the BFI & Chanel Filmmaker Awards 2024
Tilda Swinton presents the BFI & Chanel Filmmaker Awards 2024Features
The monstrous-feminine on screen: the changing face of cinema’s female monsters
By Faye D. Effard