Features and reviews

Bill & Ted Face the Music review: the Gen X dad dudes unleash their daughters

5 things to watch this weekend – 18 to 20 September

Ratched review: Ken Kesey’s Big Nurse gets botched surgery

Why do we treat serial killers’ gay victims as dramatically disposable?

Nocturnal review: a stripped-down portrait of British coastal malaise

White Riot review: the story of rock’s anti-racist revival

The Eight Hundred review: a puffed-up reprise of the defence of Shanghai

10 great caper films

The punks that took on prejudice: White Riot and the 1970s Rock Against Racism movement

Regina King’s directorial debut One Night in Miami to join 64th BFI London Film Festival

“People can justify awful things through their faith”: Antonio Campos on The Devil All the Time

Cuties review: preteen pressures in the age of lost innocence

What to watch at LFF: How 3 pioneering Australian sisters made a silent gem

Six of the best at the 2020 Venice Film Festival

Aspiring directors, here’s a chance to make your own fully-funded music video

Venice Film Festival 2020: the best of times amid the worst of times

Maborosi at 25: The enigmatic calm of Hirokazu Koreeda’s debut

“We gave them too much power”: how Rocks became a gem by giving its young cast license to shine

Where to begin with Naomi Kawase

What to watch at LFF: How Shadow Country sounds a warning from history

Diana Rigg obituary: an independent, indefatigable star

5 things to watch this weekend – 11 to 13 September

The Human Voice review: Pedro Almodóvar goes short and free

Get Duked! review: a rampant Highland ramble

Real review: rebuilding Black lives in Portsmouth

“Alan Moore pushed me to think less about the killer and more about the spirit of the times”: Bong Joon Ho on Memories of Murder

She Dies Tomorrow review: Kate Lyn Sheil’s death drive goes viral

The Painted Bird and the cinema of Eastern Europe’s WWII bloodlands