Features and reviews

“I take pride in my millennial audience”: Emma Seligman on Shiva Baby and sugar daddies

Sight & Sound: the Summer 2021 issue

10 great British silent films

Update: A statement from the BFI on Tyneside Cinema and the review into serious allegations

Lisey’s Story gives an author’s grieving wife fantasies and nightmares

Hell freezes over: the Coen brothers on Fargo

Silent Sherlock Holmes series of the 1920s gets major restoration project

Ellie & Abbie (& Ellie’s Dead Aunt) summons a ghost of queer past for high school advice

Shiva Baby sees a young Jewish woman’s secret life unravel during a funeral

The Father is a painfully potent depiction of mental deterioration

Mona Lisa: going back to the locations of the British neo-noir, 35 years later

Mandabi is a Wolof masterwork ripe for rediscovery

BFI London Film Festival announces dual London cultural hubs on the Southbank and in the West End

“I love playing the rascal”: William H. Macy looks back at Fargo

Second year of See Yourself on Screen challenge unveiled

Industry resources launched to support disabled creatives and audiences

Killers in the mist: the final scene of Gun Crazy

Where to begin with Ousmane Sembène

5 things to watch this weekend – 4 to 6 June

Keeping a distance: Chantal Akerman’s Jeanne Dielman

10 great horror sequels

Cannes 2021 line-up announced

I Am Samuel is a tender look at a gay Kenyan couple’s lives and love

Gunda gets down and dirty with a sow

Choked takes in middle-class Indian life from the gutter to the stars

After Love grieves for a house divided by the English Channel

It takes a village: how Resident Evil fans are improving the franchise

The Killing of Two Lovers examines domestic violence but focuses on the abuser