All articles by Trevor Johnston

10 great private eye films

The Storms of Jeremy Thomas is a perfect primer for the producer’s portfolio

Maeve is a startlingly radical Irish experiment ripe for rediscovery

10 great country music films

Halston charts the rise and fall of an American fashion icon

Henry Glassie: Field Work finds humanity in folk art

Bloodlands dredges up Northern Ireland’s troubled past

The Drifters is a stylish road movie cramped by little England

The Dissident traces a detailed portrait of Jamal Khashoggi’s assassination

News of the World is a plodding fable of the reconstruction

Remake/remodel: 45 weird and wonderful alternative film cuts

The Serpent is a heady 1970s-set portrait of a globetrotting playboy killer

Mayor carefully undercuts received notions about contemporary Palestine

County Lines is fresh British drama that crosses new cinematic borders

Collective takes a scalpel to the contagion of corruption

Hillbilly Elegy is white trash for tourists

Away review: more science and less soap would make this space opera soar

Real review: rebuilding Black lives in Portsmouth

I’m Thinking of Ending Things: Charlie Kaufman’s new nightmare surpasses all expectations

Forgotten treasures of the multiplex

The Invincibles (director’s cut) review: the rebirth of a paranoid policier

Lockdown lessons: Sheffield Doc/Fest director Cíntia Gil on defending the collective experience of cinema

Hollywood review: Ryan Murphy rewrites post-war Tinseltown history

Lockdown lessons: 13 UK film industry leaders on coping with Covid

Calm with Horses is a punchy gangland tragedy from west-country Ireland

Calm with Horses review: a punchy gangland tragedy from west-country Ireland

Run review: a small-town Scottish Springsteen dreamer finds nothing but road

True History of the Kelly Gang review: a whirlwind of class and colonial discontent