All articles by Jonathan Rosenbaum
Cry Macho shows an ambivalence towards traditional masculinity
Clint Eastwood’s western is an uneven portrait of a faded rodeo champion, but its “soft-pedalled life lessons” are worth hearing.
By Jonathan Rosenbaum
The female gaze: 100 overlooked films directed by women
By Isabel Stevens, Bryony Dixon and others
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Tommy archive review: Ken Russell’s imaginative rock opera pulses with energy
By Jonathan Rosenbaum
Diaries, Notes & Sketches – Volume 1, Reels 1-6: Lost Lost Lost review: “an unfolding account of the early American underground”
By Jonathan Rosenbaum
Work and play in the house of fiction: Jacques Rivette’s Out 1 and Céline and Julie Go Boating
By Jonathan Rosenbaum
Remembering Penelope Houston
By David Robinson, Jonathan Rosenbaum and others
A pantheon of one’s own: 25 female film critics worth celebrating
By Anne Billson, Mark Cousins and others
Critics’ 50 Greatest Documentaries of All Time
By Nick James, Brian Winston and others
A personal report on an adventure called film.factory
By Jonathan Rosenbaum
Reviewing the Greatest Films of All Time, part four: getting personal
By Kevin B. Lee, David Jenkins and others
Reviewing the Greatest Films of All Time, part three: open the 2022 floodgates!
By Kevin B. Lee, David Jenkins and others
Reviewing the Greatest Films of All Time, part two: new benchmarks, old blindspots
By Kevin B. Lee, David Jenkins and others
Reviewing the Greatest Films of All Time, part two: New benchmarks, old blindspots
By Vadim Rizov and Jonathan Rosenbaum
Reviewing the Greatest Films of All Time, part one: Continuity and change
By Kevin B. Lee and Jonathan Rosenbaum
Reviewing the Greatest Films of All Time, part one: continuity and change
By Kevin B. Lee, David Jenkins and others
Restoration heaven: Il Cinema Ritrovato 2011
By Jonathan Rosenbaum
The best film books, by 51 critics
By Geoff Andrew, Michael Atkinson and others
The solitary pleasure of Star Wars (from our archive)
By Jonathan Rosenbaum