All articles by Jonathan Rosenbaum
Cry Macho shows an ambivalence towards traditional masculinity
Clint Eastwood’s western is an uneven portrait of a faded rodeo champion, but its “soft-pedalled life lessons” are worth hearing.
By Jonathan Rosenbaum
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Tommy archive review: Ken Russell’s imaginative rock opera pulses with energy
By Jonathan Rosenbaum
Work and play in the house of fiction: Jacques Rivette’s Out 1 and Céline and Julie Go Boating
By Jonathan Rosenbaum
Remembering Penelope Houston
By David Robinson, Jonathan Rosenbaum and others
A pantheon of one’s own: 25 female film critics worth celebrating
By Anne Billson, Mark Cousins and others
Critics’ 50 Greatest Documentaries of All Time
By Nick James, Brian Winston and others
A personal report on an adventure called film.factory
By Jonathan Rosenbaum
Reviewing the Greatest Films of All Time, part four: getting personal
By Kevin B. Lee, David Jenkins and others
Reviewing the Greatest Films of All Time, part three: open the 2022 floodgates!
By Kevin B. Lee, David Jenkins and others
Reviewing the Greatest Films of All Time, part two: new benchmarks, old blindspots
By Kevin B. Lee, David Jenkins and others
Reviewing the Greatest Films of All Time, part one: continuity and change
By Kevin B. Lee, David Jenkins and others
The solitary pleasure of Star Wars (from our archive)
By Jonathan Rosenbaum