All articles by Maria Delgado
The Good Boss: a perfectly weighted comedy
Javier Bardem and his castmates excel in Fernando León de Aranoa’s darkly funny vision of an industrial boss whose hypocrisy and parlous practices tip the scales and unravel his business.
By Maria Delgado
Prayers for the Stolen captures the threat of an omnipresent drug cartel
By Maria Delgado
The best Spanish and Latin American films at LFF 2021
By Maria Delgado
New Order clashes the corrupt against the exploited in a Mexican dystopia
By Maria Delgado
A Common Crime turns the screw on the Argentine intelligentsia
By Maria Delgado
10 great Argentinian films of the 21st century
By Maria Delgado and Cecilia Sosa
What to watch at LFF: Almodóvar and the best of Spanish-language cinema
By Maria Delgado
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Monos review: a fever dream of children at war
By Maria Delgado
3 to see at LFF if you like... Spanish-language films
By Maria Delgado
Pain and Glory review: Pedro Almodóvar makes an art form out of reminiscence
By Maria Delgado
The Chambermaid review: uncovering a luxury hotel’s dirty secrets
By Maria Delgado
3 to see at LFF 2018 if you like... Spanish-language films
By Maria Delgado
Film of the week: Zama makes slow jest of a mouldering colonial mandarin
By Maria Delgado
Three to see at LFF 2017 if you like... Spanish-language films
By Maria Delgado
3 to see at LFF 2016 if you like... Spanish-language films
By Maria Delgado
Three to see at LFF 2016 if you like... Spanish-language films
By Maria Delgado
10 great films set in Madrid
By Maria Delgado, Sarah Wright and others
Three to see at LFF if you like... films from Spain and Latin America
By Maria Delgado