All articles by Josh Slater-Williams

Where to stream the best Scottish films

I can remember it for you wholesale: The making of Total Recall, 30 years on

“I used the cinema to learn about the world” – Daphne director Peter Mackie Burns on making his second film, Rialto

She Dies Tomorrow: Amy Seimetz on her timely contagion film

10 great Scottish youth films

Where to begin with Atom Egoyan

GFF20 vs. COVID-19: four takeaways from Glasgow Film Festival 2020

Five Bruce Springsteen songs and how they influenced my drag-racing drama Run

10 things to watch at the Glasgow Film Festival 2020

Atom Egoyan: How we made Exotica – 25th anniversary

Judy & Punch: Mirrah Foulkes gives the puppet-show a 21st-century twist

Ad Astra director James Gray’s American masterpiece... and why UK audiences never saw it

Between London, Lagos and Lincolnshire: Shola Amoo on The Last Tree

A Girl Missing review: Koji Fukada examines the complexities of guilt

Sophie Hyde on Animals: ‘We don’t just come of age once and then we’re adults forever. We keep coming of age.’

The bitter and the sweet: British features at Edinburgh 2019

William McGregor on the ‘slow burn, anti-capitalist folk horror’ of Gwen

10 to see at the 2019 Edinburgh International Film Festival

Dirty God: ‘I saw a young burn survivor and flinched. Everybody around her did the same’

“That summer we were all waiting for democracy to start”: Dominga Sotomayor on Too Late to Die Young

Beats: Brian Welsh on his 90s rave scene banger

Cyrano meets Harry Potter: Toby MacDonald and Pauline Etienne on Old Boys

10 things to see at Glasgow Film Festival 2019

Too Late to Die Young first look: a country comes of age

Local heroes: new Scottish features at Edinburgh 2018

Out of the shadow of Frankenstein: Haifaa al-Mansour on her Mary Shelley biopic

Edinburgh International Film Festival 2018: 10 to see

Best from the West: three new Scottish features at Glasgow Film Festival 2018