All articles by Josh Slater-Williams
Vikings don’t cry: Thomas Daneskov on his off-grid comedy Wild Men
Influences from Fargo and Deliverance feed into Wild Men, a tale of male midlife crisis, off-grid living and channelling the power of the ancestors. Danish director Thomas Daneskov tells us why we shouldn’t expect mountains to make us feel better.
By Josh Slater-Williams
10 films to watch out for at Glasgow Film Festival 2022
By Josh Slater-Williams
Fred Baillif on La Mif: “Social work is the best film school for storytelling”
By Josh Slater-Williams
Where to begin with Shinji Somai
By Josh Slater-Williams
Martyrs Lane invites an angelic, ghostly child into a family home
By Josh Slater-Williams
Wildfire: Cathy Brady and Nora-Jane Noone on their Irish border drama
By Josh Slater-Williams
10 to see at the Edinburgh Film Festival 2021
By Josh Slater-Williams
10 great debut films by music video directors
By Josh Slater-Williams
10 things to watch at the Glasgow Film Festival 2020
By Josh Slater-Williams
A year of lockdown: the screen culture that got us through it
By Henry Barnes, Whelan Barzey and others
What to watch at the Glasgow Film Festival 2021
By Josh Slater-Williams
Where to stream the best Scottish films
By Josh Slater-Williams
I can remember it for you wholesale: The making of Total Recall, 30 years on
By Josh Slater-Williams
“I used the cinema to learn about the world” – Daphne director Peter Mackie Burns on making his second film, Rialto
By Josh Slater-Williams
She Dies Tomorrow: Amy Seimetz on her timely contagion film
By Josh Slater-Williams
5 Bruce Springsteen songs and how they influenced my drag-racing drama Run
By Josh Slater-Williams
Dirty God: ‘I saw a young burn survivor and flinched. Everybody around her did the same’
By Josh Slater-Williams
Out of the shadow of Frankenstein: Haifaa al-Mansour on her Mary Shelley biopic
By Josh Slater-Williams
Edinburgh International Film Festival 2018: 10 to see
By Josh Slater-Williams
Beach Rats star Harris Dickinson: ‘No good ever comes from suppressing yourself’
By Josh Slater-Williams