All articles by Kim Newman

The female gaze: 100 overlooked films directed by women

The Painted Bird review: a stately, pitiless vision of innocence crushed by war

The New Mutants review: X-Men spinoff traps super-teens in a haunted house horror

Forgotten treasures of the multiplex

Dark: Season 3 review – an infinite loop in a small town

The Outsider series review: Stephen King’s spreading evil

Color Out of Space review: Nicolas Cage turns hysterical in this slow-burn psychedelic horror

An A-Z of the 2010s in film

Little Monsters review: Lupita Nyong’o wins this school-trip Aussie zombie comedy

Doctor Sleep review: The Shining’s Danny Torrance returns to the Overlook Hotel

Brittany Runs a Marathon review: Jillian Bell shapes up in a dramedy that goes the distance

A Good Woman Is Hard to Find review: an intense tale of crime and retribution

This year’s horror cinema, dissected: the FrightFest 2019 podcast

La Flor review: Mariano Llinás teases 13½ hours before your eyes

Annabelle Comes Home review: magical middle-school doll horror

Spider-Man: Far from Home review – insider japery and daffy humour

Aladdin review: Guy Ritchie polishes Disney’s lamp

Godzilla: King of the Monsters review: ho-hum humans hobble magical beasts

Avengers: Endgame review: the finale these heroes deserve

Hellboy review: a lesser British myth-mash

Shazam! review: Big fun with superpowers

Captain Marvel review: 90s nostalgia grounds Marvel’s cosmic drifter

Aquaman review: a quixotic misadventure

Stan Lee obituary: Marvel’s master web-spinner

Choose your poison: the FrightFest 2018 critics’ roundtable post-mortem podcast

Podcast: FrightFest 2017 critics’ roundtable post-mortem

Jurassic World: Fallen Kingdom review – dinosaurs go gothic

Deadpool 2 review: super-mouth runs on